From the Woods
walking home on the ponds woods road in Shapleigh, Maine
on
April 24, 2014, sketched on April 29, 2014
7" x 5", Winsor & Newton watercolors, #3 graphite, and clear wax resist,
7" x 5", Winsor & Newton watercolors, #3 graphite, and clear wax resist,
on 300 lb. Fabriano Artistico cold press extra white watercolor paper
painted entirely with a large round brush, a #24 Princeton 4050R,
unframed, sold framed, $100 plus $5.50 sales tax plus $10 shipping
painted entirely with a large round brush, a #24 Princeton 4050R,
unframed, sold framed, $100 plus $5.50 sales tax plus $10 shipping
Note: I get asked about wax resist, a technique that I learned
while at the John Singer Sargent watercolor exhibition at the Museum of Fine Arts
in Boston. He was great with it. It's simply clear wax on the paper to repel a
watercolor wash, great for highlights, great for birch trees, great for any whites and highlights. I've used white Crayola crayons, which works fine on white watercolor
paper. But the last time I ordered art supplies I got some of these: Susan
Scheewe Watercolor Resist Sticks, clear wax crayons. Clear wax is preferred
because it can also be used over a wash already laid down to preserve that color. As of this posting, April 2014, Dick Blick had them, a pack of four, for $4.09 and Jerry's Artarama had
them for $3.37. The edge of a block of paraffin works fine, too, and even a clear candle.
2 comments:
Lovely browns of spring in Maine.Did you use your crayon resist technique for some of the birches?
Bren
Bren, your comment inspired an update, posted above.
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