Inside Cathedral Woods Etude 7

Inside Cathedral Woods Etude 7

On Monhegan Island, Maine July 31, 2026, painted September 6, 2026, 12" x 9" (w x h) using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$600

Cathedrals Woods Artists Art Essay

120 years inside
Cathedral Woods, Monhegan Island
Paintings by 14 artists, 1904-2024,
8 men, 6 women

1
Cathedral Woods
Emil Holzhauer (1887-1986), German-American
Oil on canvas, circa 1930
Monhegan Museum of Art and History

Source: Farnsworth Museum edited:
Emil Holzhauer was a student of Robert Henri. Emil Holzhauer painted on Monhegan Island in the 1940's and 1950's. He came to New York from Germany in 1906 and along with Edward Hopper, Rockwell Kent and George Bellows, studied with Robert Henri. He taught art at the Art Institute of Chicago from 1921 to 1942 and then at Wesleyan College in Macon, Georgia from 1942 to 1953. His art is in many museums.

2
Cathedral Woods
Ralf Freyl (1970- ), American
Oil, 16" x 12" (w x h), circa 2024

Source: various, edited
This painting by Ralf Freyl was on display at The Island Inn on Monhegan for the summer of 2024. Ralf Freyl (1970- ) born in Chicago, was influenced by his parents, a carpenter and a tailor. He trained in figurative painting at the American Academy of Art in Chicago, before continuing his schooling at the Lyme Academy of Fine Arts in Connecticut. Since the mid 1990's he's lived in mid-coast Maine and painted on Monhegan Island. He's had over twenty solo exhibitions. His website is HERE.

3
Monhegan Spruce Forest
William Partridge Burpee (1846-1940), American
Pastel on paper, 14" x 11" (w x h), circa 1904
Monhegan Museum of Art & History

Source: Childs Gallery, Boston, edited
William Partridge Burpee (1846-1940), born in Rockland, Maine, was educated in Rockland schools and at Kents Hill Academy in Readfield, Maine. In 1882 After briefly advertising himself as an artist in the Rockland City Directory he exhibited in Boston in 1881 and in 1884 was a member of the Boston Art Club. He maintained a position in bookkeeping and accounting, until his travels to Europe. Following the death of his father in 1887, Burpee became an heir to the family fortune which, combined with his painting sales and savings, allowed him the freedom to paint and travel without the financial pressure. He received a bronze medal for pastel at the St. Louis Exposition of 1904 before other shows around the US including the L. D. M. Sweat Museum (now Portland Museum of Art), the Boston Society of Watercolor Painters, and the Copley Society, Boston. He moved back to Rockland in 1913. His art is in various art museums.

4
Uprooted (Orange)
Amanda Case Millis (1986- ), American
Oil on archival panel, 14" x 12", 2022

Source: Monhegan Residency and Penn Studio School of Art, edited
Amanda Case Millis (1986- ) received an MFA from Massachusetts College of Art and Design and a BA from Smith College. Her work has been recognized in numerous exhibitions throughout the US and Australia. She has been awarded many painting residencies, including The Monhegan Residency. "I expected to be completely drawn to the dramatic coastline, but the fallen trees and root structures of the woods inspired me. I examine the everyday and the often overlooked. For me, painting is a responsive and mindful act where the aim is not to copy the world but to find a new reality in each painting." Amanda's website is HERE.

5
Cathedral Woods (on Monhegan)
Remo Farruggio (1906-1981), Italian-American
Oil on Masonite, 24" x 20" (w x h)
For sale $4,800

Source: Maine Art Collectors notes, edited
Remo Farruggio (1906-1981) was born in Palermo, Sicily but moved to New York City in 1918 when he was twelve. In the late 1920's he moved from the city to Woodstock, NY, the site of an artist's colony. He moved back to NYC for the WPA. Following a time in Detroit during WWII where he had an exhibition at the Detroit Museum of Art, he returned to NYC where he became friends with actor and artist, Zero Mostel, who in the 1940s built a seasonal home on Monhegan, Mostel collected Farruggio's work. As Farruggio became well recognized as a painter he travelled abroad. In 1964 he began spending summers in Provincetown, Massachusetts. His introduction to Monhegan may have been through his art studies in New York with noted Monhegan artist Abraham Bogdanove, or Mostel. Farruggio painted on Monhegan from the 1940's to 1960's. His works are included in the permanent collections of a number of museums, including the Metropolitan Museum of Art in NYC and the Smithsonian Institution for Art.

6
Along the Road
Ruth Boynton (1915-2003), American
Watercolor, 24" x 19" (w x h), circa 1985

Source: David Lussier and Monhegan women Artists, Obituary, edited
Ruth Boynton (1915-2003), while in Montebello, CA in 1930-32, taught in the public schools. She had six children. On Monhegan..."I work outdoors, usually on four paintings at a time: morning sun or clouds, afternoon sun or clouds. The wild, intricate tangle of foliage and woods, and the wonderful pattern of rocks and cliffs intrigue me most. Although the result is realistic, I approach the painting as an abstract, emphasizing varying color and design... My daughter, Caro, the youngest of six children... affectionately named this rock up by Cathedral Woods, The Town Hall, when she was nine years old." Sally Boynton, daughter: "My mother loved this scene." Doug Boynton, son: "It (Monhegan) was a sacred place for my mom." Ruth Boynton of Longboat Key and Monhegan Island, Maine, was born in Boston and was a winter resident of Monhegan the last year of her life. She was a self-employed artist and a member of Women Artists of Monhegan Island, McLean Water Color Society and Vienna Water Color Society. She was represented by Lupine Gallery on Monhegan Island.

7
Bridge to the Woods
Elena Jahn (1938-2014), American
Watercolor and gouache on paper, 6" x 9" (w x h), 2008
Monhegan Museum of Art & History
Gift of the Estate of Elena Jahn

Source: Wiki and artist's website, edited
Elena Jahn (1938-2014), born in Moscow, Idaho, was raised in Syracuse, New York. In 1949 her family began spending summers on Monhegan Island, Maine where her career as an artist began. She lived in Rhode Island from 1966 - 1976 and then moved to Brunswick, Maine until 1988, when she began dividing her time between her Monhegan Island studio home and Culebra, Puerto Rico. She received a B.F.A from Syracuse University's College of Art and an M.F.A in Painting from the University of Wisconsin. She continued her studies in Paris on a Fulbright Grant. She has taught in college and university art departments in Wisconsin, Nova Scotia, Rhode Island, Norway, and Maine. She was an active member of the Woman Artists of Monhegan Island. Her subject matter spans from realistic rocks, cliffs, sea, and vegetation of her island homes to more abstract renditions of light and sky, figures and sketchbooks of her worldly travels. She painted up until her death in 2014. Her website is HERE.

8

Trail 11, Cathedral Woods Monhegan Island, ME
forest, frame, window, trail blaze
Steve Budington (1978- ), American
Oil and fluorescent acrylic on canvas over wood panels,
partial frame, 26" x 33" (w x h)

Source: exhibition notes, edited
Steve Budington holds an MFA in painting and printmaking from the Yale School of Art and a BFA in painting and art history from the University of Massachusetts, Amherst, with additional studies at the New York Studio School of Drawing, Painting, and Sculpture. He's exhibited nationally and internationally. In addition to residencies in Vermont, he was a Monhegan Island Artist in Residence, in Maine. He's taught as an Assistant Professor at the University of Massachusetts, Amherst, The Herron School of Art and Design, and currently at the University of Vermont, where he is Associate Professor of Painting and Drawing. Budington is a certified master gardener in Vermont. He lives with his family in Shelburne, VT. His website is HERE.

9
Cathedral to the Sea
Maurice Freedman (1904-1985), American
Oil on canvas, 22" x 36", 1968
Greenhut Galleries, Portland, Maine, $35,000 USD

Source: Greenhut Galleries, edited
Maurice Freedman (1904-1985), born in Massachusetts, lived in New York, and painted in Maine. He took classes at the School of the Museum of Fine Arts in Boston until 1921. He then enrolled at the Massachusetts Normal School of Art (Massachusetts College of Art) in 1922 where he also earned a scholarship to continue his studies. In 1926, Freedman enrolled at the Art Students League of New York. After only a year, he relocated to Paris, taking classes at two Academies. A year later, the Lambert Collection in Avignon, France acquired Freedman's artwork. Returning to the U.S., he was represented by the prestigious Midtown Galleries in New York City. In Maine, his art is in the collections of Bates College Museum of Art, Bowdoin College Museum, Portland Museum of Art, Ogunquit Museum of American Art, and the Monhegan Museum of Art and History. His art in numerous national museums, including the Brooklyn Museum, NY; Butler Institute of American Art, OH; Carnegie Museum of Art, PA; Denver Art Museum, CO; Los Angeles County Museum of Art, CA;  Milwaukee Art Museum, WI; New Britain Museum of Art, CT; Peabody Essex Museum, MA; Pennsylvania Museum of Fine Arts, PA; Provincetown Art Association and Museum, MA; and the Smithsonian Museum of Art and History, Washington DC.

10
Monhegan Woods
Sarah Freedman McPherson (1894-1978), American
Pastel on paper, 10" x 14" (w x h)
2026 sold $1,300 USD
Barridoff Auction, South Portland, ME

Source: The Lost Art of Sarah McPherson, New York and more, edited
Sarah Freedman McPherson (1894-1978) was a painter and art instructor in New York City. Born in Cleveland, Ohio, she summered on Monhegan Island, ME for fifty years from when she was 32-years-old until her passing, 1928-78. Well-known and loved on Monhegan, McPherson would sometimes hang her work by clothespins at the back of Monhegan's Periwinkle coffee shop, selling her miniatures for as little as five dollars. She was a bohemian artist who was part of the Greenwich Village circle that included John Reed, Rockwell Kent, Edna St. Vincent Millay, and Eugene O'Neill. She lived in Paris during the 1920s and was the subject of a series of photographs by Man Ray. She was a friend to Marcel Duchamp, Djuna Barnes, and other avant-garde artists and writers. Her work was little exhibited in her lifetime but was praised highly by critics and by her wide circle of artist friends. Her early work consisted primarily of large pastels but she later produced mostly watercolor miniatures in a neo-primitive style, taking on a variety of subjects including wheel barrels, oil lamps, seagulls, and nudes.

11
Cathedral Pines, Monhegan, Maine
Charles De Carlo (1911-2003), American
Oil, 20" x 24" (w x h), circa 1960
Baker Gallery and Auctions, Provincetown, MA, $950

Source: Various
Charles DeCarlo (1911-2003) studied at the Art Students' League and the National Academy of Design in New York and with Josef Albers at the Yale School of Design. He was a frequent exhibitor with the Connecticut Water Color Society beginning in 1939. After serving in the U.S. Army, he studied art with Jerry Farnsworth in 1946. DeCarlo shared an art studio with his brother, artist Victor DeCarlo, in New Haven, Connecticut in 1954, and continued to travel to Cape Cod during the summer months until he ultimately settled in Wellfleet, Massachusetts with his wife, artist Doris Dickason in 1972. His art is in the Addison Gallery of American Art, The New Britain Museum of American Art and the Provincetown Art Association & Museum.

12
Monhegan, Cathedral Woods
Meyers Rohowsky (1900-1974), American
Oil on canvas, 24" x 30" (w x h), 1960
Berry Campbell Gallery, New York, NY

Source: Various
Meyers Rohowsky (1900-1974), born in Norwich, Connecticut lived in New Jersey, where he was the President of the New Jersey Artists Equity. He was a painter, sculptor, muralist, and teacher. He painted on Monhegan Island in 1946 and more works of Monhegan Island in the 1950s and 1960s. He was WPA artist, first in Newark and then in New York. He exhibited at the Whitney Museum, NY and in 1977 his NYC WPA Art at Parsons School of Design. He painted WPA murals at De Witt Clinton High School, Bronx, NY, the U.S. Naval Reserve, Whitestone, NY, Montclair Art Museum, Montclair, NJ, and the New Jersey State Museum, Trenton, NJ.

13
Tree of Age
Lynne Mapp Drexler (1928-1999), American
Oil on canvas, 36" x 48" (w x h), 1981
Monhegan Museum of Art and History

Source: Wiki, various, edited
Tree of Age was one of Drexler's earlier representational works with a clear connection to her coming abstract paintings, reflecting a blend of the real and the imagined.. Born in Virginia, Lynne Mapp Drexler (1928-1999) moved to New York City in the mid to late 1950's to further her study art under Robert Motherwell and Hans Hoffman. She and her husband bought a summer house on Monhegan Island in 1971. By 1983, Drexler lived year-around near Lighthouse Hill on Monhegan Island, an artists' haven off the coast of Maine. The island people and landscape were the subject of many of her paintings from that time. Her husband spent more time ashore and found moderate success as an artist, while Lynne lived alone on Monhegan. Drexler's paintings became less strictly abstract and exhibited a synthesis of abstract and representational influences, though with no substantial commercial success in her lifetime. In 1999 she died at her home on Monhegan Island. Posthumously, her art was profoundly recognized and successful, collected by major museums. Her work at auctions has realized prices up to $2,027,000 USD for paintings, and $208,275 USD for works on papers.

14
Untitled
Dana Matthews (1971- ), American
Oil on canvas, 12" x 16" (w x h), 2021

Source: various including the artist's website, edited
Born in Alabama, where she received a BFA, then on to RISD where she received her MFA, she has called New York her second home for nearly 30 years. She's participated in various shows from Hudson, NY to the Fries Museum in Leeuwarden Holland. She is represented in domestic and international collections and has been exhibited in museums and galleries across the United States, including the Delaware Center for the Contemporary Arts, Wilmington, DE, and in NYC the Chashama nonprofit, as well as the ACA Gallery. From 1993-2003 she had a dozen solo shows. Her website is HERE.

For an illustrated online digital read: On Island, Women Artists of Monhegan, which is online HERE.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

end

Inside Cathedral Woods - original poem

Inside Cathedral Woods 

by Bruce McMillan, 9/10/2026

(a sixteen line poem to take you there...)

On an island, Monhegan, tall 
spruce trunks form a high canopy, 
as shafts of sunlight slant their way 
through.

While one's eyes are drawn up, skyward, 
underfoot, fallen spruce needles 
form a soft carpet, a light red 
hue.

Serene quiet fills the moist woods. 
It invites a pause to embrace 
the stillness; its calm envelops 
you.

Standing among greens, moss, ferns, and 
sprouting seedlings, the future woods 
invites a close look, the coming 
view.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The Inside Woods Color Rhyme

Through 

hue 

you 

view.

Photo (July 31, 2026 ) and text copyright Bruce McMillan 2026

Inside Cathedral Woods Study 2

Inside Cathedral Woods Study 2

On Monhegan Island, Maine July 31, 2026, painted September 6, 2026, 12" x 9" (w x h) using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

Cathedral Woods - Robert Henri Visual Essay

 Robert Henri 10 Paintings

Cathedral Woods, Monhegan Island, Maine
1918-1919
with quotations from:
The Art Spirit, Robert Henri (1865-1929),
collected by his student, Margery Ryerson
J. B. Lippincott & Co., Philadelphia, PA, 1923

1
"A tree growing out of the ground is as wonderful today
as it ever was. It does not need to adopt new and startling methods."
The Reader in the Forest
Monhegan Island, Maine
Robert Henri (1865-1929), American
Pastel on wove paper, 13" x 20" (w x h), 1918
Museum of Fine Arts Houston, Houston, TX


2
"We read books. They make us think. It matters
very little whether we agree with the books or not."

The Art Spirit,
Robert Henri (1865-1929),
Margery Ryerson (1886-1989),
J. B. Lippincott & Co., Philadelphia, PA, 1923

Robert Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as The Art Spirit in 1923, a book that remains in print today, over a hundred years later. Henri's other students include George Bellows, Arnold Franz Brasz, Stuart Davis, Edward Hopper, Rockwell Kent, John Sloan, Minerva Teichert, Margery Ryerson and many more.Margery Ryerson's art is included in the collections of the Smithsonian American Art Museum, and had a 2025 retrospective exhibition at the New York State Museum: Margery Ryerson: Art is Contagious Gallery Opening. She lived to be 102.

Jackie

(Student and Quotation Collector)

Margery Ryerson (1886-1989), American

dry point, Smithsonian American Art Museum 

3

"No work of art is really ever finished.
They only stop at good places."
Cathedral Woods, Monhegan Island
Robert Henri (1865-1929), American
Oil on canvas, 26" x 32" (w x h), 1911
Toledo Museum of Art, Toledo, OH

4
"Art need not be intended. It comes inevitably as the tree
from the root, the branch from the trunk, the blossom from the twig."

Edge of the Island Woods, Monhegan
Robert Henri (1865-1929), American
Pastel on paper, 19" x 12" (w x h), 1918
Alexandre Gallery, New York, NY

5

"It is harder to see than it is to express."

Woman in a Forested Landscape

Robert Henri (1865-1929), American

Pastel on paper, 12" x 19" (w x h), circa 1918

Bonhams auction 2023 sold $6,144 USD

6
"The effect of brilliancy is to be obtained principally
from the oppositions of cool colors with warm colors,
and the opposition of grave colors with bright colors.
If all the colors are bright there is no brightness."
Under the Trees, Monhegan
Robert Henri (1865-1929), American
Pastel, 1918

7
"A great painter will know a great deal about how he did it,
but still... will say, 'How did I do it?' The real artist's
work is a surprise to himself."
Maine Landscape
Robert Henri (1865-1929), American
Pastel, 1919

8
"Those who cannot begin do not finish."
Woodland Scene, Monhegan, Maine
Robert Henri (1865-1929), American
Pastel, 1918

9
"Whatever you feel or think your exact state
at the exact moment of your brush touching the canvas
is in some way registered in that stroke."
The Woods at Sunset
Robert Henri (1865-1929), American
Pastel on paper, 20" x 13" (w x h), 1918

10
"Keep your old work. You did it.
There are virtues and there are faults in it for you to study.
You can learn more from yourself than you can from anyone else."
The Woods, Monhegan Island
Robert Henri (1865-1929), American
Pastel on canvas, 13" x 20" (w x h)
Sold, Questroyal Fine Art, New York, NY

11
"Brilliancy is going toward color, not toward white."
Sunlight in the Woods
Robert Henri (1865-1929), American
Pastel on paper, 19" x 15" (w x h), 1918
Alexandre Gallery, New York, NY

12
"There is no art without contemplation."
The Reader's Tree
Robert Henri (1865-1929), American
Pastel on paper, 12" x 20" (w x h), 1918
Whitney Museum of American Art, New York, NY

Pulpit Rock Standing View Underfoot

Pulpit Rock Standing View Underfoot

on the northeast shore, Monhegan Island, Maine, painted August 31, 2026, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$600

Above Pulpit Rock Study 2

Above Pulpit Rock Study 2

painted August 19, 2026, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$600

Pulpit Rock Study 5

Pulpit Rock Study 5

on Monhegan Island July 31, 2026, painted in my studio August 18, 2026, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$600

That Cliff Rock - Essay

That Cliff Rock beside Pulpit Rock
(to the right of Pulpit Rock, land view)

Untitled, from the Monhegan  series 

Morris Kantor (1896-1974), Russian-American
Pencil on paper, 14" x 11" (w x h), 1944
Smithsonian American Art Museum, Washington, DC

This is the standing rock to the right of Pulpit Rock when looking down from land. This photo view's perspective is to the right of Morris Kantor's drawing view. He drew it in 1944. Ironically, I photographed the same rock in 2026, though I didn't discover Morris Kantor's drawing until after I returned to the mainland when I was perusing online Monhegan art files in the Smithsonian American Art Museum website.

Above my plein air setup is Pulpit Rock. To the right is the unnamed cliff rock that Morris Kantor chose to draw from approximately this perspective.

In the summers of 1916-1919 when Edward Hopper was drawing and painting on Monhegan Island, in this drawing he included this rock as a bordering rock on the right when he made this drawing of Pulpit Rock at the center.

Study of Rocks at Monhegan (Pulpit Rock)

Edward Hopper (1882-1967), American

Lithographic crayon on paper, 16" x 10" (w x h), circa 1916-1919

Josephine N. Hopper Bequest to 

Whitney Museum of American Art, New York, NY

Morris Kantor, born in Russia (Belarus), was a painter. In 1906, at 10-years-old, he was brought to New York City where he learned to support himself at a very young age. By the time he was twenty, he'd saved enough money working in the garment district to enroll at the Independent School of Art in New York. Kantor went on to become a prominent artist and teacher in New York City. He taught at the Art Students League for thirty years. He continued to travel and study, and in 1928 married fellow artist Martha Ryther, a recognized master of painting on glass. A prolific artist, Morris Kantor produced a diverse body of work, exploring many styles ranging from abstraction to realism.

Today, Seagulls still visit this Morris Kantor drawn rock and paint the leading seaside viewing edge in accented-edge-white, though it isn't an archival white.

Above Pulpit Rock Study 1

Above Pulpit Rock Study 1

painted August 13, 2026, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$600

Pulpit Rock Study 2

Pulpit Rock Study 2

painted plein air on Monhegan Island July 31, 2026, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

My plein air setup
above Pulpit Rock, Monhegan Island

Pulpit Rock Paintings...early 1900s

 Pulpit Rock Paintings by Noted Artists

in the early 1900s by
George Bellows, James Fitzgerald,
Robert Henri, Edward Hopper, and Leon Kroll
plus a photo from the Marjorie Bouvé collection

1
Pulpit Rock
George Bellows (1882-1925), American
Oil on wood panel, 20" x 15" (w x h), 1913
Wadsworth Atheneum Museum of Art, Hartford, CT

2
Surf at Pulpit Rock
James E. Fitzgerald (1899-1971), American
Watercolor, 13" x 10" (w x h)

3
Pulpit Rock Gray
Leon Kroll (1884-1974), American
Oil on canvas, 25" x 30" (w x h), 1913

4
Rocky Coast, Monhegan Island, Maine
(Pulpit Rock)
Rockwell Kent (1882-1971), American
Oil on board, 12" x 10" (w x h)
Gift of the artist to Mary Kelsey, Monhegan Island, Maine.
By descent from the above to the present owner
Sotheby's NY 2008 auction sold $6,875 USD

5
Rocky Promontory, Monhegan, Maine
(Pulpit Rock)
Robert Henri (1865-1929), American
Oil on canvas, circa 1903
New Orleans Museum of Art, New Orleans, LA

6
Rocks and Waves (Pulpit Rock)
Edward Hopper (1882-1967), American
Oil on composition board, 13" x 10" (w x h), circa 1916-1919
Josephine N. Hopper Bequest to
Whitney Museum of American Art, New York, NY

7
Study of Rocks at Monhegan (Pulpit Rock)
Edward Hopper (1882-1967), American
Lithographic crayon on paper, 16" x 10" (w x h), circa 1916-1919
Josephine N. Hopper Bequest to
Whitney Museum of American Art, New York, NY

8
Pulpit Rock, Monhegan, Maine
Marjorie Bouvé (1879-1970), American
Photograph, circa 1895-1918
Marjorie Bouvé papers, Northeastern University, Boston, MA

Ocean Drive Rocks

Ocean Drive Rocks

along Kennebunkport, Maine's seaside on July 24, 2026, painted July 28, 2026, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400