The Beaverbrook Art Gallery Figures...

 Female Nudes
in the Collection of
The Beaverbrook Art Gallery,
Musee des Beaux Arts Beaverton,
the provincial art gallery of New Brunswick,
Fredericton, New Brunswick, Canada

The Beaverbrook Art Gallery and a significant art collection were given to the people of New Brunswick by Lord Beaverbrook, Sir Max Aitken, at the opening on September 16, 1959. The son of a Presbyterian minister in Miramichi, New Brunswick, Max Aitken enjoyed early success in Canadian business. In 1910, he left Canada for England, where he was knighted and elected a Member of Parliament, eventually serving as Minister of Aircraft Production in Churchill's wartime government. In 1916, Sir Max established the Canadian War Memorials Fund to commission official war artists to paint the Canadian war effort. These artists included three future members of the Group of Seven: A.Y. Jackson, Frederick Varley, and Arthur Lismer.

In creating a world-class collection for the gallery, Sir Max consulted with international art experts to advise him on key acquisitions and encouraged colleagues and acquaintances to donate paintings. The original collection included works by J.M.W. Turner, John Constable, Thomas Gainsborough, Joshua Reynolds, Edwin Henry Landseer, and works by modern artists such as Augustus John, William Orpen, Graham Sutherland, and Lucian Freud. Famous Canadian artists such as Cornelius Krieghoff, Emily Carr, and members of the Group of Seven were among the collection, as were works by Salvador Dali. In 1994, the Beaverbrook was officially designated the provincial art gallery of New Brunswick.

The Museum's website is HERE.

1
Reclining Female Nude #1
Matthew Arnold Bracy Smith (1879-1959), British
Oil on canvas, 29" x 20" (w x h), circa 1925
Gift of The Beaverbrook Foundation

Sir Matthew Smith, CBE (1879-1959) was a British painter of nudes, still-lifes and landscapes. He studied design at the Manchester School of Art and art at the Slade School of Art. Smith studied under Henri Matisse in Paris and acquired an interest in Fauvism. Smith met fellow artist Gwen Salmond in 1907 in Whitby and she became his "greatest mentor". They married and had two sons together. The marriage was short. Smith left his wife and sons because he felt that they were "stifling his career." It was Gwen Salmond who raised the boys, Frederic Mark Smith and Dermott Smith, born in 1915 and 1916 respectively. They both would die while serving in the Royal Air Force during World War II.

During World War I, Smith was wounded at the Battle of Passchendaele. Early in the twenties the normal shortcomings of his health allied plus the sense of something unfulfilled in his personal life produced a serious breakdown. It wasn't until he found Vera Cuningham, the ideal model for his art, that he recovered and redoubled his ability to work. His first one-person show was at Tooth's Gallery, London, in 1926. His work reflects use of color in a bold manner echoing the Fauves. He had shows at London Group, the Carnegie International Exhibition, Lefevre Gallery, and Mayor Gallery. His works were bought by Roger Fry and the Tate Gallery. In 1944, The Penguin Modern Painters paperback series printed an illustrated biography written by Philip Hendy which included his works. In 1949, Smith was appointed a Commander of the Order of the British Empire (CBE). He was knighted in 1954. Smith lived, worked, and exhibited in England and France.

2
Model at Rest
Moe Reinblatt (1917-1979), Canadian
Oil on canvas, 27" x 36" (w x h), 1957
Gift of Lillian Reinblatt

Moses "Moe" Reinblatt (1917-1979) was a Canadian painter, printmaker, sculptor, and art teacher. Besides figurative and still life works, Reinblatt painted landscapes. He was associated with the Jewish Painters of Montreal. In August 1944 he was appointed an official war artist, and was sent to document the Canadian war effort in England. After the War, he studied at Art Association of Montreal's School of Fine Arts and Design and two years later he began teaching drawing and printmaking at the School alongside Arthur Lismer, member of the noted Group of Seven. It was a position Moe Reinblatt held for over twenty years. He also organized art classes at the YM-YWHA between 1946 and 1957, and taught at the Saidye Bronfman Centre for the Arts from 1967.

A retrospective of Reinblatt's work was exhibited at the Universite du Quebec a Montreal Gallery in 1990. His paintings are represented in numerous museums across Canada, including the National Gallery of Canada, the Canadian War Museum, the Musee National des beaux-arts du Quebec, the Montreal Museum of Fine Arts, the McCord Museum, and the New Brunswick Museum, as well as the Bezalel Museum in Israel. Reinblatt won the Rolph-Clarke-Stone Award for the most distinguished print in the 1947 Canadian Society of Graphic Art Annual Exhibition, for his drypoint The Drinker. He won the Adrian Seguin Memorial Award for his work Girl's Head with Bow in 1958, and the C. W. Jefferys Award for his work Acrobats in 1962. He received the Canadian Centennial Medal in 1968.

3
Fisher's Maid
Christopher Pratt (1935-2022), Canadian
Serigraph on paper, 15" x 12" (w x h), 1978
Gift of Jim Coutts in memory of Peter McCain

John Christopher Pratt CC ONL RCA (1935-2022) was one of Canada's most prominent painters and printmakers. In addition to a body of highly acclaimed paintings, prints, drawings and writing, he designed the flag of Newfoundland and Labrador. He was a student of Alexander Colville (#6 below), proponent of realism, at Mount Allison University, Sackville, New Brunswick.

4
Night Nude: At Shediac
(Parlee Beach in the town of Shediac, New Brunswick)
Christopher Pratt (1935-2022), Canadian
Oil on board, 17" x 16" (w x h), circa 1970-2010
Gift of the Artist

Christopher Pratt became an associate of the Royal Canadian Academy of Arts (ARCA) and a member of the Canadian Society of Graphic Art in 1965, at the age of 30. Eight years later, he was appointed an officer of the Order of Canada, before becoming a companion of the Order in 1983. He was awarded the Order of Newfoundland and Labrador in 2018. He was awarded an honorary doctorate by Memorial University of Newfoundland in 1972. In 2018, Pratt was the subject of Kenneth J. Harvey's documentary film Immaculate Memories: The Uncluttered Worlds of Christopher Pratt.

5
Seated Nude on Beach
Jack Humphrey (1901-1967), Canadian
Oil on paper, 40" x 33" (w x h), circa 1965-1966
The Leslie B. Marcus Collection

Jack Weldon Humphrey (1901-1967) was a highly prominent Canadian painter, draughtsman and printmaker. He was a Canadian landscape and figure painter, mainly in watercolor. "His works are included in most exhibitions that examine 20th Century Canadian art and Canadian modern art. Dozens of examples are also in the permanent collections of Canadian museums. Born in St. John, New Brunswick, where he lived most of his life, he died suddenly at 66 years-old of a heart attack at the height of his career. Art historian J. Russell Harper called Humphrey the "most significant eastern Canadian painter of his generation."

6
Nudes on Shore
Alex Colville (1920-2013), Canadian
Tempera on Masonite, 38" x 24" (w x h), 1950
Gift of Lord Beaverbrook

David Alexander Colville, PC, CC, ONS, LL. D. (1920-2013) was a Canadian painter and printmaker. He graduated with his BFA from Mount Allison University, Sackville, New Brunswick, in 1942, He served in the second ward and in 1944 was made an Official Second World War artist. He was tasked with depicting the horrors of the Bergen-Belsen concentration camp. Colville's painting Bodies in a Grave (1946), a scene of emaciated corpses in a Bergen-Belsen burial pit, is based on images he captured with his army-issue camera at the concentration camp. He taught art at his alma mater Mount Allison University from 1946 to 1963, influencing a generation of artists in realism during the ascendancy of abstraction including Christopher Pratt (class of 1961) #3 and #4 above.

He left teaching to devote himself to painting and print-making full-time from a studio in his home in Sackville, New Brunswick on York Street; this building is now named Colville House. The house was donated to Mount Allison by the Colville family. It now serves as a museum and gallery dedicated to Alex Colville's life and work under the auspice of the Owens Art Gallery. A 1965 acrylic on Masonite painting To Prince Edward Island is one of his most well-known paintings, now held at the National Gallery of Canada in Ottawa. See if HERE.

In 1963 his painting Man on Verandah sold at auction for $1,287,000 setting a record for a work by a living Canadian artist at that time. See it HERE.

Swiss Artist Gustave Buchet

Swiss Artist's Art
Swiss Artist Gustave Buchet (1888-1963)

Gustave Buchet (1888-1963) was a Swiss painter from the western French part of Switzerland. He began his artistic training with four years of study at the Ecole des Beaux-Arts in Geneva. From 1910-11 he attended, for four months, the Academie de la Grande Chaumiere in Paris before returning to Geneva. Here he founded, along with Maurice Barraud and others, the group Le Falot. On a return visit to Paris in 1916-17, he was influenced by the Futurists and created a series of paintings in novel forms. Increasing hostility, even for his participation in Dadaist performances, led him in 1920 to leave Geneva and to move to Paris.

Buchet evolved in the 1920s towards a flat geometrical painting style, verging on abstraction. Living in Paris during the interwar years, he soon adopted the principles of Purism which Le Corbusier was championing. In painting he developed a personal palette of both forthright and muted colors, and compositions that were remarkably constructed and arranged. He expanded to sculpture and decorative arts, turning out designs for the fashion world and the theater.

While post-cubism was petering out across Europe, Buchet shifted to a moderate abstraction, going figurative. Shortly before his return to Lausanne in 1939, transparency and supple forms prevailed over fragmentation and pictorial planes. Buchet's late work abandoned the dictates of line in favor of a quest for color.

He writes: "In 1951 I judge that my laboratory work, my research, is complete and that I can begin to truly paint. . . My sources are diverse and infinite: I find escape as much in a landscape as in a nude or a simple flower . . ."

Galleries and museums such as Museum Franz Gertsch have featured Gustave Buchet's work. Gustave Buchet's work has been offered at auction selling at prices from $56 USD to $136,550 USD. His record price for a work at auction, $136,550 USD, was for Body in Movement (#7 below), sold at Sotheby's Zurich in 2010.

1
Ruines
Gustave Buchet (1888-1963), Swiss
Watercolor on paper, 10" x 15" (w x h), 1946
Christies 2001 auction sold $10,275 USD
(9,400 Swiss francs, CHF)

2
Nude from the Back / Nu de dos
Gustave Buchet (1888-1963), Swiss
Oil on board, 15" x 18" (w x h), 1937

3
Marine
Gustave Buchet (1888-1963), Swiss
Oil on canvas, 21" 18" (w x h), 1951

4
Naked at the Lake / Nu au bord du lac
Gustave Buchet (1888-1963), Swiss
Oil on canvas, 91" x 36" (w x h), 1941

Note the familiar use of orange and blue
by so many artists by Gustave Buchet
in the next two paintings.

Fabulous Painting...

5
Apples and Blue Vase / Pommes et vase bleu
Gustave Buchet (1888-1963), Swiss
Oil on canvas, 28" x 36" (w x h), 1932

6
Nude / Nu
Gustave Buchet (1888-1963), Swiss
Oil on cardboard, 15" x 21" (w x h), 1945

7
Body in Movement / Corps en mouvement
Gustave Buchet (1888-1963), Swiss
Oil on canvas, 29" x 36" (w x h), 1918
This painting is the record price for a work
of his at auction. It was sold at Sotheby's Zurich
in 2010 for $136,550 USD.

8
Nude Redhead from Behind, Arm Raised /
Rousse nue de dos, bras leve
Gustave Buchet (1888-1963), Swiss
Oil on paper on wood, 13" x 18" (w x h), 1951

Read and see more about Gustave Buchet online in English at the: Musee cantonal des Beaux-Arts, Lausanne, Switzerland, HERE.

Swiss Artist Felix Vallotton

 Swiss Artist Felix Vallotton

(1865-1925)

Felix Edouard Vallotton (1865-1925) was Swiss and naturalized as a French citizen when he was 35-years-old in 1900. He was a painter and printmaker associated with the group of artists known as Les Nabis.

He was an important figure in the development of the modern woodcut. Like many artists of his generation, he was influenced by the Japanese woodcuts which were then being noticed in Europe. His unique and innovative style, large areas of pure black and white, emphasizing outline and shapes, without using hatching for shading or modelling, led the way for others.

He painted portraits, landscapes, nudes, still lifes, and other subjects in a less than emotional, realistic style. Vallotton was also active as a writer. He published art criticism during the 1890s, and his novel La Vie meurtriere (The Murderous Life) was published posthumously. By the end of his life he had completed over 1,700 paintings and about 200 prints, in addition to hundreds of drawings and several sculptures.

1
Rocamadour Landscape /
Paysage de Rocamadour
Felix Vallotton (1865-1925), Swiss
Oil on canvas, 1925

2
The White and the Black /
La Blanche et la Noire
Felix Vallotton (1865-1925), Swiss
Oil on canvas, 58" x 45" (w x h), 1913
Fondation Hahnloser, Winterthour

3
La paresse / Lazy
Felix Vallotton (1865-1925), Swiss
Woodcut on wove paper, 9" x 7" (w x h), 1896
#40 of an edition of (circa) 180
Sold at Sotheby's 2017 Zurich auction for $85,500 USD

4
Evening on the Loire / Soiree sur la Loire
Felix Vallotton (1865-1925), Swiss
Oil on canvas, 1923
Private Collection

5
The Purple Hat / Le chapeau violet
Felix Vallotton (1865-1925), Swiss
Oil on cardboard, 32" x 36" (w x h), 1907

6
Verdun
Felix Vallotton (1865-1925), Swiss
Oil on canvas, 57" x 45" (w x h), 1917

7
Le Rayon
Felix Vallotton (1865-1925), Swiss
Oil on canvas, 39" x 29" (w x h), 1909
Private collection

8
Le Bibliophile / The Bibliophile
Felix Vallotton (1865-1925), Swiss
Woodcut, 7" x 9" (w x h), 1911

Ponte Capriasca Village Alleyways...

Ponte Capriasca Village
Alleyways of Color

painted January 26, 2025, 7" x 5" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Narrow Swiss Ponte-Capriasca...

Narrow Swiss Ponte-Capriasca
Street Barely Bussed

painted January 20, 2025, 10" x 8" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

View on a Bend from a Swiss Train North

View from a Bend
on a Swiss Train North

painted January 16, 2025, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

Swiss Sky Above Ponte Capriasca Roof Tops

Swiss Sky Above
Ponte Capriasca Roof Tops

on an afternoon walkabout on December 25, 2024, painted January 6, 2025, 7" x 5" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Stepping in to Lawren Harris

Stepping in
to Lawren Harris

With my Grandson Teague at the MFA, Boston on December 13, 2024, painted December 19, 2024, 5" x 7" (w x h) using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper.
NFS

The painting in the watercolor that Grandson Teague's stepping toward
at the MFA, Boston:

Northern Painting 25
Lawren Harris (1885-1970) Canadian
Oil on canvas, 36" x 32" (w x h), 1924
Gift of Steve Martin and his wife, Anne Stringfield,
in honor of Canada's 150th anniversary.
Museum of Fine Art, Boston, MA

Snow Arriving Snow Leaving Beech Leaves Still

Snow Arriving Snow Leaving
Beech Leaves Still

beech leaves barely covered by snow on November 29, 2024, painted on December 12, 2024, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

Art in Canadian Snow - Blue Orange

 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Art in Canadian Snow
And note the Artist's use of blue with orange.

1
Snow Plow
Alex Colville (1920-2013), Canadian
Serigraph on wove paper, 21" x 32" (w x h), 1967
University of Lethbridge Art Collection, Alberta, Canada

David Alexander Colville, (1920-2013) was born in Toronto, Ontario and his family moved to Amherst, Nova Scotia, in 1929. He graduated from Mount Allison University a Bachelor of Fine Arts. In 1942, Colville enlisted in the Canadian Army and was made a War Artist in May 1944. He was made an Officer of the Order of Canada, elevated to Companion in 1982, the order's highest level. Colville exhibited extensively across Canada and internationally including at the Tate Gallery in London and the Beijing Exhibition Center in Beijing. In 1983 an internationally touring retrospective of his work was organized by the Art Gallery of Ontario. See more of his art HERE.

2
A Clear Winter
Arthur Lismer (1885-1969), English-Canadian
Oil on canvas, 30" x 36" (w x h), 1916
The Thomson Collection, Art Gallery of Ontario, Canada

The formation of the Group of Seven was still four years away when Arthur Lismer, one of its founders, painted this bold, lyrical oil of an Ontario hill and sky suffused by winter light. Arthur Lismer, CC RCA LL.D. (1885-1969), an English-Canadian painter, was known primarily as a landscape painter and for his paintings of ships in dazzle camouflage.

The English-born Mr. Lismer (1885-1969) had been in Canada only five years, but already was besotted with Ontario's wilderness and was friends with Tom Thomson and J.E.H. MacDonald, fellow employees of Toronto's Grip Engraving. With its sinuous forms, decorative flourishes and cobalt-blue shadows, this painting, A Clear Winter, clearly owes a debt to Art Nouveau and the contemporary Scandinavian landscape painting of the time. Also, Mr. Lismer's depiction of the tall, snow-laden white pine surmounting a thicket of conifers and random birches and aspens against a big sky has a forthrightness that anticipates the mature Group style.

Also winning: the orange hill, at once a warm complement and cannily positioned counterpoint to the dominant cool blues and whites. A boreal forest, quilt-like snow, sunlight brightening an aquamarine sky - it's hard to imagine a landscape more clearly, crisply Canadian than A Clear Winter.

3
Central Park Angel
Heather Horton (1974- ), Canadian
Oil on canvas, 36" x 36" (w x h),
Private collection

Heather Horton (1974- ), born and raised in Burlington, Ontario, Canada, attended McMaster University, Hamilton, Ontario, Canada where she received a Bachelor of Arts in English Literature. She then went on to graduate from the well-respected Interpretive Illustration program at Sheridan College, Toronto, Ontario, Canada. She is known for her colorful, realist paintings, which focus on internal states, contemplative narratives, and often draw from personal connections to her own life. Several of her paintings are in the Lionsgate film A Simple Favor, starring Blake Lively, Anna Kendrick (who graduated from Deering High School in Portland, Maine).

4
In Algonquin Park
Tom Thomson (1877-1917), Canadian
Oil on canvas, 32" x 25" (w x h), winter 1914-15
McMichael Canadian Art Collection, Kleinburg, Ontario, Canada

Thomas John Thomson (August 5, 1877 - July 8, 1917) was a Canadian artist active in the early 20th century. During his short career, he produced roughly 400 oil sketches on small wood panels and approximately 50 larger works on canvas. His works consist almost entirely of landscapes, depicting trees, skies, lakes, and rivers. He used broad brush strokes and a liberal application of paint to capture the beauty and color of the Ontario landscape. Thomson is considered by many Canadians as the archetypal painter, and his later work has heavily influenced Canadian art. Although he died before the formal establishment of the Group of Seven, Thomson is often considered an unofficial member. His art is typically exhibited with the rest of the Group's.

5
Jeunes Filles, Rue Beaudry / Young Girls, Rue Beaudry
John Little (1928-2024), Canadian
Oil on canvas, 32" x 24" (w x h), 1970
Alan Klinkhoff Gallery, Montreal, Quebec, Canada
For sale, $20,000 Canadian Dollars

This painting is a story about a neighborhood, the people, the neighbors and of course the built heritage. Since John Little painted this composition in 1970 of Rue Beaudry at avenue Brien, much has changed. In fact, avenue Brien, formerly a cul-de-sac with only a few doors, is gone, now parking for a low rise apartment building constructed on that open lot, which Little implies on the center-right-hand side of his painting.

While Little's painting places are limited primarily to Montreal and Quebec City, his story is a North American one, an observation that urban renewal and suburbanization were adversely changing and even obliterating the heritage of neighborhoods, the people and the built heritage. It was fully a generation after Little began to commemorate in paint these areas that were being adversely affected by social policies dictated by City Hall in Little's City of Montreal, municipal officials changed course, now looking to conserve some neighborhoods and repopulate the downtown core which they had previously dedicated to offices.

John Little (1928-2024) was a renowned Canadian artist, best known for his vibrant, Fauvist-style oil paintings of his hometown, Montreal. His art journey began at the Montreal Museum of Fine Arts, and continued at the Art Students League of New York, where he met Ray Bailley. Together, they illustrated the Bruce Gentry comic strip. In 1949, Little joined his family's architectural firm as a draftsman, but his passion for painting never faltered. Following his marriage in 1953, he made painting his primary profession. His talent was recognized by the Royal Canadian Academy, which he joined in 1961 and earned full membership by 1973. His art is held in collections at the National Gallery of Canada, the Beaverbrook Art Gallery, the Leonard & Bina Ellen Art Gallery at Concordia University, and the Montreal Museum of Contemporary Art.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

end

To the North

To the North

Painted November, 2024, 7" x 5" (w x h), using only Schmincke Horadam Payne's Gray Bluish, Cobalt Turquoise, Olive Green Yellowish watercolors, selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Edge of the West Fjords Iceland

Edge of the West Fjords Iceland

a memory of the view I saw looking to the north west while living five-weeks solo on an island off the coast of Iceland, painted November 18, 2024, 7 x 5" (w x h), using only Schmincke Horadam Payne's Gray Bluish, Cobalt Turquoise, Olive Green Yellowish watercolors, selected for light fastness and permanence, and wax resist on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper.
$150 + shipping / SOLD

West Fjords Iceland

 Schmincke Creative Contest Entry

West Fjords Iceland

 

a memory of the view I saw looking to the north west while living five-weeks solo on an island off the coast of Iceland, painted November 18, 2024, 16" x 7" (w x h), using Schmincke Horadam Payne's Gray Bluish, Cobalt Turquoise, Olive Green Yellowish watercolors, selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, for the Schmincke Creative Contest and on the Schmincke website as #137 HERE

Schmincke Watercolor Creative Contest

Watercolor for metal painting set cover painted with only Schmincke watercolors. I used Payne's Gray Bluish, Cobalt Turquoise, Olive Green Yellowish, the only Schmincke brand watercolors in my palette. 

Sized proportionally at 12 x 5 (w x h).

The metal painting set has 4 mixing panels. with the Schmincke owl logo in black or white on the left-hand mixing panel.

The deadline is December 31, 2024 with the three winners of the notified not later than January 15, 2025.

The Schmincke contest page is HERE.

 

Field Shadows Fall into Autumn

Field Shadows Fall into Autumn
inspired after a Nov 15th walk
at Maine Audubon, Falmouth, Maine
and painted Nov 18, 2024, 7" x 5" (w x h), $200

How? A Quick 14-minute Sketch
Using a 1" flat brush on 5" x 7" Fabriano Artistico paper

Wet sky solid color with a deeper blue color spread into the top. Violet painted quickly below with hard edge open with spaces, and edging the wet violet into the wet blue sky, holding the paper tilted so that the violet blooms as trees into the sky, the wonders of watercolor. With the sky still wet, brush out the clouds with a damp brush and a bit of paper towel, lifting the color, which works fabulous with Fabriano but not at all with Arches watercolor papers. When dry, add depth with deep Payne's Gray Blue, and finally add the fields in the white spaces with Naples Yellow, leaving some white edges for eye-catching contrast using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$200

Libby Becca Two Studies

Libby Becca Study 1

at our weekly drawing / painting group in Kennebunkport, Maine on Nov 8, 2024, 10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Arches cold press fine grain 100% cotton watercolor paper, framed.
$300.

Libby Becca Study 2

at our weekly drawing / painting group in Kennebunkport, Maine on Nov 8, 2024, 10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Arches cold press fine grain 100% cotton watercolor paper, framed.
$300.

Beech Leaves Leaving Study 1

Beech Leaves Leaving Study 1

as seen from my screened porch painted Nov 10, 2024, 12" x 9" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

Beech Leaves Leaving Study 2

Beech Leaves Leaving Study 2

as seen from my screened porch painted Nov 10, 2024, 12" x 9" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400

Yellow Blue Nude Too

Yellow Blue Nude Too

at our weekly Kennebunkport, Maine drawing/painting group on Oct 11, 2024, 9" x 7" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and graphite on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

​A Ferry Peaks I

​A Ferry Peaks I

on Casco Bay, Portland, Maine, the Machigonne I, September 15, 2024, painted October 28, 2024, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$400.

Art Essay - Casco Bay Ferries

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
 Art Essay on the

Casco Bay Island Ferries

The Portland, Maine Harbor ferries have a distinctive visual color scheme with yellow and white, red trim, black hull, on the blue bay. This is an essay on how four artists see those ferries and four other artists simply focus in the abstract on those same colors, yellow, white, red, black, and blue.

1
Title unknown
The Machigonne II Peaks Island Ferry
Paul Brahms (1963- ), American
Oil on canvas, 20" 16" (w x h), 2024
B.F.A., Rhode Island School of Design, 1986
The artist's website HERE. More art HERE.

2
Seascape
Roy Lichtenstein, (1923-1997), American
Lithograph, woodcut, and screenprint, 53" x 27" (w x h), 1985
Edition 60, printed and published by Gemini G.E.L.
Whitney Museum of American Art, New York, NY

3
Portland Ferry Reflection
Sarah Knock (1948- ), American
Oil on canvas, 20" x 28" (w x h), 2022
11th Portland Biennial Show,
Greenhut Galleries, Portland, ME
The artist's website is HERE.

4

Untitled (Geometric Abstraction)
John McLaughlin (1898-1976), American
Oil on composition board, 38" x 32" (w x h), 1953
Whitney Museum of American Art, New York, NY

5
Ferry Boat, Portland, Maine Harbor
George Anderson (1931- ) Canadian/American
Acrylic on canvas, 22" x 26" (w x h)
Anderson Gallery, Portland, ME
For sale: $ 2,500 USD
The artist's website is HERE.

6
Composition in Red, Blue, and Yellow
Piet Mondrian (1872-1944), Dutch
Oil on canvas, 22" x 24" (w x h), 1937-42
MOMA, Museum of Modern Art, New York, NY

7
Workers
Norma Johnsen (1939- ), American
Oil on canvas, 12" x 16" (w x h), 2020
The artist lives and paints on Peaks Island.

8
Composition of Red, Blue, Yellow and White: Nom III
Piet Mondrian (1872-1944), Dutch
Screenprint in colors, 17" x 17" (w x h), 1967
from A Portfolio of Ten Paintings, edition of 150
For sale: $5,800 USD

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~