Wednesday, January 6, 2021

Now and Then... Ogunquit Stamp

Now and Then...

the same view on the Maine Bicentennial Stamp, the scene
painted in 1914 Edward Hopper, the view from Narrow Cove
looking east at the Ogunquit Museum of American Art
in Ogunquit, Maine on May 1, 2014,
painted January 3, 2021
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Postage Stamp Art of Maine

Sea at Ogunquit
the Maine State Bicentennial Stamp

1
Sea at Ogunquit
Edward Hopper (1882-1967), American
Oil on canvas, 29" x 24" (w x h), 1914
Whitney Museum of Art, New York

Sea at Ogunquit was exhibited in 1917 at the First Annual Exhibition at the American Society of Independent Artists in New York City as Hopper was trying to transition his career from illustrator to painter.

It features a view from Narrow Cove, Ogunquit, Maine, where artists used to congregate. Today it's the view from the Ogunquit Museum of American Art, looking east to the Atlantic Ocean. The green knoll is barely seen, the point now covered in expensive houses.

2
Forever Stamp

Maine became the 23rd state on March 15, 1820. Marking the 200th anniversary of Maine's statehood, a sheet of new stamps from the U.S. Postal Service features the iconic rocky shoreline painted by Edward Hopper (1882-1967). It was painted during one of his many summers in the state. In the coastal village of Ogunquit, an art colony since 1898, Hopper met art student Jo Nivison, whom he later married in 1924.

The Maine Statehood stamp debuted in March 2020, a sheet of twenty FOREVER stamps for $11.00.

3
The Dories, Ogunquit
Edward Hopper (1882-1967), American
Oil on canvas, 29" x 24" (w x h), 1914
Whitney Museum of Art, New York

Charles Woodbury established a summer painting school in 1898 in Ogunquit, Maine. It garnered national interest and inspired the formation of an art colony that drew the likes of Edward Hopper, George Bellows, and Robert Henri, who'd been Hopper's art teacher in New York City at the New York School of Art and Design, the forerunner of Parsons The New School for Design. Only with Woodbury's death in 1940 did his Art of Seeing school close its doors, and even so the art association his former students established has remained active to this day.

4
Perkins Cove with Unknown Artist

Possibly Henry Strater, circa 1930s
Source: Ogunquit Museum of American Art HERE

This is the view looking out from now Perkins Cove to the Atlantic. In the far right, unseen, is Narrow Cove where Hopper painted in 1916.

Before Perkins Cove was a harbor, it was simply an outflow of the Josias River. When Hopper painted his views outside what is now Perkins Cove, the fishing dories anchored outside of the Josias river outflow opposite Narrow Cove. Today the landscape of the Josias river outflow has been entirely altered by projects to build the harbor of Perkins Cove and it's high drawbridge.

5
Dories in a Cove
Edward Hopper (1882-1967), American
Oil on canvas board, 13" x 10" (w x h), 1914
Whitney Museum of Art, New York

In 1913, at the Armory Show, Hopper earned $250 when he sold his first painting, Sailing (1911), which he had painted over an earlier self-portrait. Hopper was thirty-one, and although he hoped his first sale would lead to others in short order, his career wouldn't catch on for many more years.

6
Cove at Ogunquit
Edward Hopper (1882-1967), American
Oil on canvas, 28" x 25" (w x h), 1914
Whitney Museum of Art, New York

In the summer of 1914 he painted in Ogunquit, Maine. The previous year, shortly after his father's death, Hopper had moved to the 3 Washington Square North apartment in the Greenwich Village section of Manhattan, where he would live for the rest of his life. From there he'd travel in the summers for the rest of his life, often to New England, Maine, Massachusetts, and Vermont.

7
Square Rock, Ogunquit
Edward Hopper (1882-1967), American
Oil on canvas, 29" x 24" (w x h), 1914
Whitney Museum of Art, New York

Josephine Nivison had met her future husband Edward Hopper in art school, and then again in 1914 in Ogunquit, where they were staying in the same boarding house. However, their friendship apparently only began some years later.

At an impasse over his oil paintings, in 1915 Hopper turned to etching. For the next few years, when he could, Hopper did some outdoor watercolors on visits to New England, especially at the art colonies at Ogunquit, and on Monhegan Island. But it wouldn't be until 1923 while painting with Robert Henri when he'd re-encounter his future wife, Josephine Nivison, in the summer at Gloucester, Massachusetts that, with her help, his career took off. They married in 1924.

8
The Art Student
Robert Henri (1865-1929), American
Oil on canvas, 39" x 77" (w x h), 1906
Milwaukee Museum of Art, Milwaukee, Wisconsin

Portrait of Miss Josephine Nivision, later known as Jo Hopper, holding her paint brushes.

In late 1905 at the New York School of Art student Josephine Nivision met teacher Robert Henri, who asked her to pose for a portrait. In February 1906, Nivison began her career as public schoolteacher. During the next decade she earned her living by teaching, but never abandoned art and remained in touch with Henri and many other artists.

Museum notes:
At the beginning of the twentieth century, Robert Henri was among the most respected artists and instructors advancing modernism in the country, known for breaking ground with his gritty, urban landscapes and informal portraits. This portrait of art student Josephine Nivison aptly demonstrates Henri's rejection of conservative, academic standards through his emphasis on naturalism and spontaneity, as well as the sitter's informal dress and pose. Jo went on to have continued fame as a model if not artist: she posed for and is the subject of many of the paintings by her famous husband, the painter Edward Hopper.

Friday, January 1, 2021

Lemon Sunning on a Beech - Pantone 2021

Lemon Sunning on a Beech

painted in yellow and gray, Pantone's colors of the year 2021,
a yellow lemon on the gray trunk of an American beech tree
in my woods by my home on December 27, 2020,
painted January 1, 2021
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Museum Art of the Pantone
2021 Colors of the Year

Pantone 17-5104 Ultimate Gray
and Pantone 13-0647 Illuminating (Yellow)
Seen HERE

"A marriage of color conveying a message of strength and hopefulness that is both enduring and uplifting." The Pantone Color Institute
"Yellow and Gray? They play well together." Bruce McMillan

1
Pyramid (Maquette)
Roy Lichtenstein (1923-1997), American
Collage paper and tape on foam-core,
30" x 15" x 8", circa 1996
Whitney Museum of American Art, New York
Wiki:
During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, Roy Lichtenstein became a leading figure in the new art movement, Pop art. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. He described pop art as "not American painting but actually industrial painting."

While Whaam! and Drowning Girl are generally regarded as Lichtenstein's most famous and influential works, his most expensive piece is Masterpiece, which was sold for $165,000,000 in January 2017, seen HERE.

2
Composition with Double Line and Yellow
Piet Mondrian (1872-944), Dutch
Oil on canvas, 60" x 60" (w x h), 1932
National Galleries Scotland, Edinburgh, Scotland
Museum notes:
Mondrian was the leading artist of the 'De Stijl' (the style) movement, a group of Dutch artists who produced strictly geometric, abstract art. Mondrian's early work painted from nature became increasingly abstract. For example, a series of studies of trees and their branches made from 1909 to 1913 evolved into a crisscross of lines. However, it was when he became a member of the Theosophist group that he began to paint the grid paintings with which he is associated. Theosophists saw existence in terms of harmony between male and female, positive and negative, horizontal and vertical. Mondrian's paintings embody this sense of balance.

This is one of the earliest of Mondrian's so-called tram-line paintings. Before 1932 he had used single lines but he began pairing them in order to achieve a sense of optical movement. He also began to extend the coloured areas over the edge of the canvas. In this painting, Mondrian created a perfect balance between the colour and the horizontal and vertical lines, so that no one element dominated. He painted with great precision, although he did so intuitively by trial and error, not through mathematical calculation. This painting formerly belonged to the artist Winifred Nicholson, who acquired it directly from Mondrian.

3
Yellow and Gray Interior
Terry Wise (circa 1954- ), American
Oil on panel, 25" x 29" (w x h), 2019
Berkshire Museum, Pittsfield, Massachusetts
Artist statement:
"Energetic, a bit chaotic, quirky, multi-layered, traditional, community-oriented. This could be a description of my personality or my life or my paintings. With my strong maternal line and influence, the domestic setting and ideas of home are standard in my work. Chairs, plates, or repeat patterns of textiles often enter into my experiments with color and composition. I'm a fan of the mid-20th century realist painters who employed varying viewpoints in a single painting.

Yellow and Gray Interior is simpler than many of my table views, focused more on composition through blocks of color, with just a hint of an interior space and an implied narrative of who might have gotten up from the chair. Sometimes I insert my maiden name, Bryant, Terry Bryant Wise, but for painting I use Terry Wise; it's simpler. I live in Stockbridge, Massachusetts."

BFA, Indiana University. The artist's website is HERE.

4
Yellow Roses in a Vase
Gustave Caillebotte (1848-1894), French
Oil on canvas, 18" x 21" (w x h), 1882
Dallas Museum of Art, Dallas, Texas
Dallas Museum notes:
A bouquet of yellow roses is set on a marble table against a dark ground. The flowers are shown full-blown, just at the moment when their lush, open petals have begun to drop. The intense drama of the painting results from the contrast between the minimalist elegance of the composition and the thickly painted roses at its center. Yellow Roses in a Vase was painted during Gustave Caillebotte's first serious engagement with the genre of still life. Between 1881 and 1883, he painted more than thirty still lifes, reflecting a renewed interest in the genre among several artists of the impressionist circle, most notably Claude Monet, who shared Caillebotte's Paris studio in 1882. Yellow Roses in a Vase remained with Caillebotte throughout his life and was purchased after his death in 1894 by Edgar Degas, who collected the works of his fellow artists with great acumen, as had Caillebotte himself.

5
White Light
Jackson Pollock
Oil, enamel, and aluminum paint on canvas,
38" x 48" (w x h), 1954
MoMA, Museum of Modern Art, New York
Museum notes:
White Light is one of Pollock's last paintings and the only one he completed in 1954. He made it in part by squeezing paint directly from a tube onto the canvas evident in the sculptural white and black tendrils of paint that constitute the top layers. He also used a brush, creating subtle marbling effects by manipulating wet paint in certain areas.

6
White Sun
Beatrice Mandelman (1912-1998), American
Oil on canvas, 30" x 40" (w x h), circa 1960
Harwood Museum of Art, Taos, New Mexico
Museum notes:
Born on December 31, 1912 in Newark, New Jersey, from an early age Beatrice Mandelman was determined to be an artist. At age 12, she began taking classes at the Newark School of Fine and Industrial Art. In the 1930s, she attended Rutgers University, the Newark School of Fine and Industrial Art and the Art Students League in New York City. In 1944 Beatrice Mandelman and Louis Ribak left New York City and settled in Taos, NM, forming the nucleus of painters who would come to be known as the Taos Moderns. Big-city contemporaries of Willem de Kooning, Arshile Gorky and Jackson Pollock, their relocation to the Southwest propelled them in a new direction of modern art.

7
Yellow and Gray
Felrath Hines (1913-1993), American
Oil on linen, 48" x 54" (w x h), 1976
Smithsonian American Art Museum
Wiki notes:
Samuel Felrath Hines Jr. was an African American visual artist and art conservator. Hines served as a conservator at several institutions, including the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and his paintings can be found in the collection of the Smithsonian American Art Museum. The artist's website is HERE.

8
Homage to the Square
Josef Albers (1888-1976), German-American
Screen print in wove paper, 9" x 9", (w x h),
Edition of 1,500, 1977
$499, Available HERE
Artspace website:
An influential artist of the 20th century, Josef Albers was a painter, print-maker, photographer, and designer known for his crucial role in developing the Bauhaus, his innovations in Geometric Abstraction, and his explorations into the subjective experience of color. As Albers noted, "When you really understand that each color is changed by a changed environment, you eventually find that you have learned about life as well as about color."

Born in Germany, Albers was a student at the Bauhaus, an institution renowned for its impact on all aspects of modern design, and began working in stained and sandblasted glass, designing windows, furniture, household objects, and typography, as well as publishing poetry and art writing. In 1933 he moved to the United States with his wife, the artist Anni Albers, where he was professor at the noted avant-garde institution Black Mountain College. He has influenced many significant artists including Peter Halley, Donald Judd, and Robert Rauschenberg.

In 1950, Albers began what would be his most famous work, the Homage to the Square series, a body of more than a thousand paintings, drawings, prints, and tapestries, created over a period of twenty-five years. The series was based on a mathematically determined format of several squares, which appear overlapping or within one another.

In 1971, Albers was the first living artist ever to be honored with a solo retrospective at the Metropolitan Museum of Art.

Wednesday, December 30, 2020

Lime and Pear Wearing Green Genes

Lime and Pear
Wearing Green Genes

a snow life in my yard with
a Lime and Green D'Anjou Pear
on December 18, painted December 22, 2020
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Tuesday, December 29, 2020

Citrus Family Winter Gathering

Citrus Family Winter Gathering

a snow life in my yard
with a lime, orange, and lemon
on December 18, painted December 22, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Sunday, December 27, 2020

Pear Here

Pear Here

a snow life in my yard with a Comice Pear
on December 18, painted December 22, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

House Harbor Stonington Study 2

House Harbor
Stonington Study 2

in Stonington, Maine, Deer Isle, on July 31, 2020,
painted August 21, 2020
4" x 6" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $100 NFS

Saturday, December 26, 2020

Pear There

Pear There

a snow life in my yard with a Comice Pear on December 18, painted December 22, 2020 10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lb. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper framed.
$400

Friday, December 25, 2020

Leaning in to a Holiday

Leaning in to a Holiday

with a 50 foot spruce, which I planted as seedling in 1976 in my yard, as seen on December 6, 2020, painted December 22, 2020, 10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, on 140 lb. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper framed. This art was used as December in my limited edition 2022 calendar.
$300 / SOLD / Private Collection

Thursday, December 24, 2020

Spruced Up Conversation

Spruced Up Conversation

with two 50 foot spruces I planted as seedlings
44 years ago in my yard, as seen on
December 6, 2020, painted December 22, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness and
permanence, on 140 lb. Fabriano Artistico cold press
rough 100% cotton extra white watercolor paper
framed, $300

Wednesday, December 23, 2020

Opal and Granny Posing on Snow

Opal and Granny Posing on Snow

a snow life in my yard with a yellow Opal apple and a green Granny Smith apple on December 18, painted December 22, 2020, 10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lb. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

Tuesday, December 22, 2020

Nor'easter Wave

Nor'easter Wave

Along Ocean Drive in Kennebunkport, Maine,
in March, 2018, painted March, 2020
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for
light fastness and permanence, and white
Gouache on 140 lb. Fabriano Artistico
cold press rough 100% cotton
extra white watercolor paper
framed, NFS

Monday, December 21, 2020

Beech Leaf Hanging On

Beech Leaf Hanging On

into winter after a fresh snowfall
on December 7, 2020, painted December 18, 2020
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, on 140 lb. Fabriano Artistico cold press
rough 100% cotton extra white watercolor paper
framed, $150

Down on Green, Up on Red

 (original posting March 13, 2018)

Down on Green, Up on Red
Comice pears on a snow bank behind my home
at Shapleigh, Maine on Feb 18, painted on March 13, 2018
7" x 5" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness and
permanence, and Uniball waterproof fade proof ink on 140 lb. Fabriano
Artistico cold press fine grain 100% cotton extra white watercolor paper
$150 NFS GIFT

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The Art of Comice Pears
How other artists painted them...

 
1
The Pear
Jacqueline Gnott, TWSA, WHS, South Bend, Indiana
Watercolor on paper, 5.25" x 8", 2016
Sold
Artist's web site HERE
 
2
Comice
Mary Daisy Arnold
Watercolor on paper
11/1/1935, from the
New York Experimental Station, Geneva, NY
Source web site HERE
 
3
Comice Pear
Jane Palmer, Ruthin, Denbighshire, UK
Oil, 6" x 6"
Sold
Artist's web site HERE
 
4
Ripe Pear
Claire Henning
Oil on gesso board, 6" x 6", 2013
Sold
Artist's web site HERE
 
5
Three Pears
Saundra Lane, Colorado, US
Acrylic on canvas, 20" x 16"
$100.00 USD
Artist's web site HERE
 
6
Pear
Marcus Bolt, UK
Acrylic
Artist's web site HERE
 
7
Doyenne du Comice
Miss May Rivers
Published in The Fruit Grower's Guide
by John Wright, 1891-1894. They show
Miss Rivers' artistry and skill, with an
intensity of color and attention to
detail that is remarkable.
Source HERE
 
8
Perched Pears
Tracy Vartenigian Burhans, Winchester, MA, US
Oil on glass
Sold
Artist's web site HERE

Sunday, December 20, 2020

Driving on a Drive Way Away

Driving on a
Drive Way Away

based on the driveway to my home in Shapleigh, Maine, on December 18, painted December 19, 2020, 12" x 9" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Prismacolor waterproof fade proof ink on 140 lb. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$500

Saturday, December 19, 2020

Up a Winter Driveway

Up a Winter Driveway

the driveway to my home in Shapleigh, Maine,
on December 18, painted December 19, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Thursday, December 17, 2020

County Road in Winter

County Road in Winter

painted December 16, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Wednesday, December 16, 2020

Apples Paired not Pared Study 2

Apples Paired not Pared Study 2

on fresh snow in my yard on December 6, 2020
painted December 14, 2020
7" x 5" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Tuesday, December 15, 2020

Apples Paired not Pared Study 1

Apples Paired not Pared Study 1

on fresh snow in my yard on December 6, 2020
painted December 14, 2020
7" x 5" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Monday, December 14, 2020

Climbing Pear Pair

Climbing Pear Pair

with a red pear and a Comice pear
painted as a snow/still life on the
plowed driveway snow in my yard in
Shapleigh, Maine on December 11, 2020
painted December 12, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

The Mystery of the Snow Art Quiz

The Mystery of the Snow Art
Quiz


All of these paintings,
in addition to having a snow theme,
all painted in oil, and all painted on either side
of the Atlantic pond in Great Britain and the US,
have what in common?

Strange but True Facts
In the 1920s
the Stella Strong Stories
was pitched to a New York publisher,
adding "they might also be called the Diana
Drew Stories, Diana Dare Stories, Nan Nelson
Stories, Nan Drew Stories, or Helen Hale
Stories," but the editors at Grosset &
Dunlap preferred Nan Drew from
these options, finally deciding
to lengthen Nan to Nancy,
Nancy Drew.


1
The Sneuk with Snow, Orkney
Sylvia Wishart (1936-2008) Scottish
Oil on board, 26" x 35" (w x h), 1966
The Stanley & Audrey Burton Gallery,
University of Leeds, Leeds, West Yorkshire, UK

Wiki note (edited):
Sylvia Wishart was born and raised in Stromness, Orkney. She grew up as a neighbor to poet George Mackay Brown. Wishart worked in the post office, but painted as a hobby. She was eventually persuaded to train at Gray's School of Art in Aberdeen. From 1969 to 1987 she taught painting and drawing at Gray's. Her drawings illustrated George Mackay Brown's An Orkney Tapestry, published in 1969.

In 2005, Wishart was made a full member of the Royal Scottish Academy. In 1992, 2007 and 2011, the Pier Art Centre in Orkney held shows of her works. Many of her paintings and drawings depicted landscapes and seascapes in Orkney, especially views of Hoy Sound from her cottage window.

Wishart and Brown had a long friendship involving frequent drinking, occasional violence, and Roman Catholicism (they converted together). She died in 2008 at 72 years-old.

Works by Wishart are in the collections of Robert Gordon University, the Royal Scottish Academy, the Pier Art Centre, the University of Leeds, the Scottish Maritime Museum, and other institutions. A book about Wishart, Sylvia Wishart: A Study, was published in 2012. Also, in 2012, the Royal Scottish Academy held an exhibition of Wishart's works. A documentary film, Reflections - The Life and Art of Sylvia Wishart (2011), featured interviews with her colleagues and friends.

2
Vermont Village, January Glow
Susan Abbott (1951- ), American
Oil on linen, 28" x 28" (w x h), 2015

The artist's website notes (edited):
This painting is "the geometry of a New England village, in this case my town of Plainfield, Vermont."

Susan Abbott was born and grew up in Takoma Park, Maryland. Because her father was an artist and graphic designer, there were many art books and supplies at home; drawing and painting began at an early age. Her mother was a skilled seamstress, and Susan how to sew, knit and embroider. These hand crafts, and time outdoors playing in the creeks and woods have informed her work as an artist.
At 14 years-old she studied life drawing in the summers under the famed professor Richard D'Arista at American University. She dropped out of high school, and began a full-time student at the Maryland Institute, College of Art. She focused on figure painting and plein air landscape. She graduated Summa Cum Laude, and two years later received a MFA degree from the Institute's Hoffberger School of Painting, working with renowned abstract painter Grace Hartigan as her advisor. She went on to study intaglio printmaking in the graduate program at the University of Iowa under Professor Mauricio Lasansky.

Susan Abbott has been working as a professional artist since then, exhibiting in galleries and museums around the US. Her still life and landscapes have been featured at the Corcoran Gallery of Art, National Museum of Women in the Arts, Contemporary Art Center of Virginia, Museum of Technology, Hood College, and the Baltimore Museum of Art. She's an active partner with non-profits in projects that connect art and conservation. Her commission for Oprah Winfrey was featured on the Oprah Winfrey Show.

Susan lives, paints, and teaches in Plainfield, Vermont. Her web site is HERE.

I've been fortunate to take painting workshops with Susan at her home/studio in Plainfield, Vermont, and in Hope Town, Bahamas. I enjoy her art, watercolors and oils, in my art collection.

3
Water Gap Shadow (Delaware)
Lois Dodd (1927- ), American
Oil on Masonite, 18" x 16" (w x h), 1994
For sale at the Alexandre Gallery, New York HERE

Wiki and Alexandre Gallery notes (edited):
Lois Dodd, an American painter, has painted her immediate everyday surroundings at the places she has chosen to live and work - the Lower East Side of New York, rural Mid-Coast Maine and the Delaware Water Gap. The Delaware Water Gap is a water gap on the border of the U.S. states of New Jersey and Pennsylvania where the Delaware River cuts through a large ridge of the Appalachian Mountains.
Lois Dodd was a key member of New York's postwar art scene. She played a large part and was involved in the wave of modern artists including Alex Katz and Yvonne Jacquette who explored the coast of Maine in the latter half of the 20th century.
She received studied at the Cooper Union, New York City from 1945 to 1948. From 1971 to 1992, Dodd taught at Brooklyn College and at the Skowhegan (Maine) School of Painting and Sculpture, where she served on the Board beginning in 1980 and is now Governor Emerita. In 1992, she retired from teaching at Brooklyn College. Since 1954, her work has been the subject of over fifty one-person exhibitions. Dodd is an elected member of the American Academy and Institute of Arts and Letters and of the National Academy of Design.
As part of the wave of New York modernists to explore the coast of Maine just after the end of the Second World War, Dodd helped to change the face of painting in the state. Along with Fairfield Porter, Rackstraw Downes, Alex Katz, Charles DuBack, and Neil Welliver, Dodd spent her summers in the Mid-Coast region surrounding Penobscot Bay. Attracted by inexpensive old farmhouses, verdant fields, and the bright sunshine, they sought both companionship and an escape from the demands of city life. The break from the city and its urbane art circles allowed them the freedom to explore new modes of painting, both landscapes and figures, that were anathema in the era of Abstract Expressionism.

4
Hopfields under Snow
Joyce Austin (1911-1988), British
Oil on canvas, 23" x 19" (w x h)
Worcester City Art Gallery & Museum,
Worcester, UK

Worcester City Gallery note (edited):
This oil painting of Hopfields under Snow is the only artwork in the Worcester City collection by talented local artist Joyce Mary Austin. Hopfields under Snow's scene is set on a wintry day in West Worcestershire, UK. Snow covers the dormant hop stocks, which are waiting for the warmer days of spring before bursting into life. It will be over six months before the hops are ready for picking, drying and sending off to the brewery. Sadly, over the years these traditional hop-yards are slowly disappearing from the Worcestershire landscape, with some being replaced by the new dwarf varieties.

Born in Kidderminster in 1911, Joyce Austin's interests and artistic inspirations were widespread. She concentrated mainly on landscape watercolors and oil paintings. Her subjects and styles varied widely.

She trained at both the Kidderminster and Birmingham Schools of Art. She studied printing under Leonard Jay at the Birmingham College of Arts and Crafts between 1935 and 1937. Joyce was appointed to Worcester College of Education as a Lecturer in Art and Craft, where she lectured for 22 years. Austin exhibited her work often both locally and further afield, including at the Royal Academy, selling many paintings in Worcestershire and beyond. Austin retired from teaching in 1966, and passed away in Malvern in 1988.

5
Winter Stream
Bobbi Heath (1951- ), American
Oil on canvas panel, 6" x 6" (w x h), 2010
Sold

Artist's website and blog and online notes (edited):
This painting was jury selected for the Anything Goes exhibition at River Arts in Damariscotta, Maine. "It was warmish (above freezing) today, which drew me to this photograph, the stream in the middle would have been running today. Thanks Suzanne, for the photo!"

Bobbi Heath grew up in coastal Texas. She studied Chemistry in college and grad school. However, she drew and later painted. She received an undergraduate degree from The University of Texas and a doctorate from Brandeis University. She's a former Vice President-Engineering at VoltDB, Inc., former Vice President-Engineering for Conjoin, Inc. and former Vice President-Professional Services at StreamBase Systems, Inc. Her technology career in chip making and software development was regularly interrupted by painting workshops and trips with friends to paint.

Today she paints full-time, a plein air painter painting outside from direct observation, as well as from photos. Bobbi and her husband split their time between the Maine coast in summer, traveling in their Lobsterboat cruiser up and down the coast, and Massachusetts in the winter.

The artist's website and blog is HERE.

I've had and have the good fortune to paint with Bobbi for years. I also have the good fortune to have Bobbi's art in my collection.

6
Snow at Tilton
Vanessa Bell (1879-1961), British
Oil on canvas, 11" x 14" (w x h), 1941
Arts Council Collection, Southbank Centre, London
Purchased from the artist, 1942

Wiki note (edited):
Vanessa (Stephen) Bell (1879-1961) was an English painter and interior designer, a member of the Bloomsbury Group and the sister of Virginia Woolf, an English writer, considered one of the more important modernist 20th century authors. Vanessa married Clive Bell in 1907 and they had two sons, Julian (who died in 1937 during the Spanish Civil War at the age of 29) and Quentin. The couple had an open marriage, both taking lovers throughout their lives, him with men. Bell had affairs with art critic Roger Fry and with the painter Duncan Grant, with whom she had a daughter, Angelica in 1918, whom Clive Bell raised as his own child.
Vanessa, Clive, Duncan Grant and Duncan's lover David Garnett moved to the Sussex countryside shortly before the outbreak of the First World War, and settled at Charleston Farmhouse near Firle, East Sussex, where she and Grant painted and worked on commissions for the Omega Workshops. Her first solo exhibition was at the Omega Workshops in 1916. Bell is one of the most celebrated painters of the Bloomsbury group. She exhibited in London and Paris during her lifetime, and has been praised for innovative works and for her contributions to design.
This art is part of the Arts Council Collection (online HERE), the most widely circulated national loan collection of modern and contemporary British art. The Collection includes important and often early works by all of the most important artists working in the UK over the last 70 years.

7
Snow (Catterline, Scotland)
Joan Kathleen Harding Eardley (1921-1963), Scottish
Oil on board, 45" x 40" (w x h), circa 1958
National Galleries of Scotland,
Scottish National Gallery of Modern Art,
Edinburgh, Scotland

Wiki note edited:
Joan Eardley was noted for her portraiture of street children in Glasgow and for her landscapes of the fishing village of Catterline and surroundings on the North-East coast of Scotland. One of Scotland's most enduringly popular artists, her career was cut short by breast cancer. Her artistic career had three distinct phases. The first was from 1940 when she enrolled at the Glasgow School of Art through to 1949 when she had a successful exhibition of paintings created while traveling in Italy. From 1950 to 1957, Eardley's work focused on the city of Glasgow and in particular the slum area of Townhead. In the late 1950s, while still living in Glasgow, she spent much time in Catterline before moving there permanently in 1961. During the last years of her life, seascapes and landscapes painted in and around Catterline dominated her output.

Eardley's work was already highly acclaimed by many in Britain by the time of her death. Since then, she's been recognized as an artist of international importance, although not universally. In 2013, a collection of letters written by Eardley to Audrey Walker were released, having been placed under an embargo by Walker until decades after she had died. Eardley had first met Walker, who was ten years older than her and was married to a prominent Scottish barrister, in 1952 in Glasgow. When the two were not together, Eardley would write to Walker on a near daily basis and the letters show Eardley's intense love for Walker.

8
Snow Squall at Twelve Corners
Carol L. Douglas (1959- ), American
Oil on canvas, 16" x 12" (w x h), 2011

Artist's blog and Camden Falls Gallery notes:
"I was waiting for my son at Brighton High School and amusing myself by taking photos of the streetlights with a hand held camera. Never thought of the photos as a painting until it was suggested by my friend Pilan. Here it is in an expanded sketch. I love the winter light better than I love the winter cold, but after a few months of it, I'm glad to see the days slowly lengthening again."
"What do plein air artists do in the winter? Mostly, we paint indoors. I paint outdoors in the winter because I want to, not because I've got something to prove. That means I can set limits: no subzero weather, no gloomy days, and no howling winds."

Carol Douglas studied under Cornelia Foss, Joseph Peller, and Nicki Orbach at the Art Students League in New York. Originally from Buffalo, New York, Carol lives and paints in Rockport, Maine since 2015. "As with other New York artists who came to Maine, the draw isn't primarily the art community, but the land and sea themselves: the ceaseless rise and fall of the tide, the granite outcroppings, and the dark pines." She studied painting and clay modeling with her father, a trained artist, from a very young age. In 1997, she quit working as a graphic designer to take up painting full time. Two bouts with cancer were transformative experiences.
The artist's blog, Watch Me Paint, is HERE.

I have had the good fortune to paint with Carol. One of my paintings hangs in her home.

The solution to
The Mystery of the Snow Art?
is below...
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All of these paintings are
painted by brilliant women artists.

And if you figured that out,
way to go Nancy Drew.


Strange but True Facts Bonus

"Nancy Drew, an attractive girl of eighteen, was driving home along a country road in her new, dark-blue convertible." So began the journey of Nancy Drew in the first Nancy Drew book, The Secret of the Old Clock, that's traveled in a series of 64 books with 80 million copies sold in ninety years from 1930 to 2020. Under the pseudonym Carolyn Keene, Mildred Wirt wrote 23 of the first 30 books from 1929 to 1947, which were bestsellers.

Among the many prominent and successful women who cite Nancy Drew as an early formative influence, whose character encouraged them to take on unconventional roles, are U.S. Supreme Court Justices Sandra Day O'Connor, Ruth Bader Ginsburg, and Sonia Sotomayor.

 

Saturday, December 12, 2020

Citrus Conversation Snow Life

Citrus Conversation Snow Life

with an orange and lemon painted as a snow/still life
on the plowed driveway snow in my yard in
Shapleigh, Maine on December 11, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Friday, December 11, 2020

Mount Esja from Reykjavik Winter Study 3

Mount Esja from Reykjavik
Winter Study 3 

with snow painted from winter 2015 memory and
a summer 2016 photo on December 7, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Prismacolor waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Tuesday, December 8, 2020

Mount Esja from Reykjavik Winter Study 2

Mount Esja from Reykjavik
Winter Study 2

with snow painted from winter 2015 memory and
a summer 2016 photo on December 7, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Monday, December 7, 2020

Mount Esja from Reykjavik Winter Study 1

Mount Esja from Reykjavik
Winter Study 1

with snow painted from winter 2015 memory and
a summer 2016 photo on December 7, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300

Lobsterboat Dry Docked

Lobsterboat Dry Docked

a lobsterboat on the beach by the pier
at Cape Porpoise on Bickford Island in
Kennebunkport, Maine on November 10, 2020,
painted December 4, 2020
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Prismacolor waterproof fade proof ink
on 140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300