Saturday, September 27, 2025

From Owls Head to Beyond

From Owls Head to Beyond
Painted plein air at Owls Head, Maine looking east on August 26, 2025, 8" x 10" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

Thursday, September 25, 2025

Art Show Extended

 Art Show Extended

My watercolor exhibition
Coastal York with Georgia's Words
at the York Hospital Cafe, 1 Loving Kindness Way, York, ME, has been
extended four months to January 1, 2026
for a total of eight months that began May 1, 2024

It features 27 original Bruce McMillan watercolors
with excerpts from Georgia O'Keeffe's letters
written from Long Sands Beach, York, ME
in the 1920s when she visited alone
to sketch and paint.



Irre-Perspective Docking

Irre-Perspective Docking
Paul Cezanne ignored perspective, allowing each object to be independent within the space, the relationship of one object to another object taking precedence over traditional single-point perspective. These boats tied to the dock are to the viewer each a different perspective from the dock / railing, the boats from blue to red to yellow, each changing in perspective. Painted plein air at Spruce Point Island, South Thomaston, Maine on August 26, 2025, 10" x 8", using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

Tuesday, September 23, 2025

Waiting While They Lobster

Waiting While They Lobster
Painted plein air at Spruce Head Island, South Thomaston, Maine up the street from McLoons, on August 26, 2025, 7" x 5" (w x h) using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Marginal Morn

Marginal Morn
painted along Marginal Way in Ogunquit, Maine, September 6, 2025, 5" x 7" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Prismacolor waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Monday, September 22, 2025

One Still

One Still
Painted plein air on Bickford Island, Cape Porpoise, Kennebunkport, Maine on September 12, 2025, 7" x 5", using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$150

Saturday, September 20, 2025

Waiting for the Last One

Waiting for the Last One
Painted plein air on Bickford Island, Cape Porpoise, Kennebunkport, Maine on September 12, 2025, using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$500

Friday, September 19, 2025

Judged into 2026 MAMP Calendar

 Watercolor Judged into 2026 Calendar

"We are thrilled to let you know that
your artwork has been selected for the 2026 MAMP Calendar!
Thank you for sharing your creativity with our program."

1

Lobster Trapped Foggy Day Monhegan, Bruce McMillan, painted plein air on Monhegan Island, Maine, July 17, 2023, watercolor, 14" x 11", has been selected by the annual Maine Agricultural Mediation Program (MAMP) calendar sponsored by The University of Maine Cooperative Extension to appear in the February page of their upcoming 2026 calendar. Original Art framed: $800.

2
The plein air setup

3
The February 2026 calendar page

4
The calendar

The original posting for the February watercolor is on this site HERE.

Home from Lobstering

Home from Lobstering

Painted plein air on Bickford Island, Cape Porpoise, Kennebunkport, Maine on September 12, 2025, using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

Wednesday, September 17, 2025

Lobsterboats Harbored

Lobsterboats Harbored
Painted plein air on Bickford Island, Cape Porpoise, Kennebunkport, Maine on September 12, 2025, using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$300

The Art of Lobsterboats Essay

The Art of Lobsterboats
Visual Essay

1
The Lobster Boat Race, Stonington
William Irvine (1931- ), Scottish/American
Oil on museum board, 36" x 26" (w x h), 2012
Courthouse Gallery of Fine Art, Ellsworth, ME
Source: Courthouse Gallery of Fine Art, edited
William Irvine (1931- ) is a Scottish/American who lives in Maine. He's known for his seascapes, as well as figurative paintings, and still lifes. Born in Troon, a small coastal village on the Atlantic coast of Scotland, in 1953 he graduated with a degree in drawing and painting from the Glasgow School of Art. He painted in London for ten years. In 1960 he met and married Stephanie Schram, an American student studying in London. In 1968, they moved to Downeast Maine, Irvine drawn to the fishing villages of Corea and Jonesport. Harbor, boats, islands and the sea and sky, inspired bold work fueled by abstraction and representation. A few years later, Irvine and Stephanie bought a house in Blue Hill, Maine, the old attached barn became Irvine's studio for the next forty-two years. In 1985, Stephanie died after a long illness. In 1995 he married Margery Wilson. They built a house and studio overlooking the sea in Brooklin, Maine. Marshall Wilkes published two books on Irvine's work: William Irvine: A Painter's Journey by Carl Little (2014); and William Irvine: At Home (2018), a collection of Irvine's small white house paintings. See more of his art and books about him at the Courthouse Gallery HERE.

2
Peak Island and Lobster Boat
Fairfield Porter (1907-1975), American
Oil on board, 15" x 14" (w x h), 1968
Sotheby's 2013 auction sold $75,000 USD
Source: Original, Wiki, edited
This painting appears full page in the book Fairfield Porter by John Wilmerding and Karen Wilkin, Rizzoli, New York, NY, 2016. Fairfield Porter (1907-1975) was an American painter and art critic. While a student at Harvard, Porter majored in fine arts; he continued his studies at the Art Students' League when he moved to New York City in 1928. His studies at the Art Students' League predisposed him to produce socially relevant art and, although the subjects would change, he continued to produce realist work for the rest of his career. He was criticized and revered for continuing his representational style in the midst of the Abstract Expressionist movement. Many of his paintings were set in or around the family summer house on Great Spruce Head Island, Maine and the family home at 49 South Main Street, Southampton, New York. Porter said, "When I paint, I think that what would satisfy me is to express what Bonnard said Renoir told him: Make everything more beautiful."

3
Sleeping In
Bobbi Heath (1951- ), American
Oil, 12" x 12" (w x h), 2016
$565 USD, sold
Source: the artist's website, edited
On Summer Sunday mornings lobstermen sleep in, hence the title. The location is Cozy Harbor, Southport, ME. Bobbi Heath (1951- ) grew up in coastal Texas. She had a technology education and a career in chip making and software development. However, she always pursued drawing and painting. Today she paints full time, often plein air. She has a focus on boats. Bobbi and her husband have had three sailboats and a lobster boat style cruiser. She splits her time between the Maine coast in summer and Massachusetts in the winter. Sailing the coast in their lobsterboat she finds inspiration. Bobbi is represented by Yarmouth Frame and Gallery in Yarmouth, ME, and The Drawing Room in New Bedford, MA. She's participated in many Plein Air Festivals, including Ocean Park (ME), Castine (ME), Long Beach Island (NJ), and Brandywine (PA). I've painted with Bobbi in Castine, ME, Brandywine, PA and Monhegan, ME. She also took my plein air painting class in Springvale, ME. The artist's website is HERE.

4
Keen
Ryan Kohler (1987- ), American
Mixed media on canvas, 20" x 20" (w x h), circa 2023-2024
$1,585, Portland Art Gallery, Portland, ME
Source: Portland Art Gallery, edited
Ryan Kohler, a 38-year-old Maine artist, earned a BA in Art from the University of Maine at Augusta in 2011, concentrating on drawing. Representational painting remains his foundation, yet he pushes beyond the literal by building acrylic underpaintings and then adding pieces of maps, album covers, posters, and found papers. Ryan works mostly from photographs, and when possible, paints on site. Boats and harbor architecture present a favorite challenge, while nearby streams and woodlands offer quieter cues. "I love the challenge of trying to capture things that make Maine uniquely Maine." Ryan lives and works in Skowhegan with his wife, young son, dog, two studio cats, two goats, and a handful of chickens. He paints daily in his self-renovated studio above his garage, a warm, light-filled space that reflects his hands-on approach. His work is in Maine art galleries.

5
Breaking Light
Colin Page (1977- ), American
Oil on canvas, 36" x 24", w x h, circa 2022-2023
$6,000, Greenhut Galleries, Portland, ME
Source: Colin Page Gallery, edited
Colin Page (1977- ), raised in Baltimore, Maryland, studied painting at the Rhode Island School of Design and at the Cooper Union for the Advancement of Science and Art. He lives and works in Camden, Maine, where he opened the Page Gallery in 2019, which not only shows his art but the art of others. Colin paints the Maine landscape and scenes that show his life as a father. "When I first moved to Maine, I painted everything I saw because of its newness. After 20 years here, now I paint the landscape, my children, and our home life through the eyes of familiarity. I know the people who live in the houses and some of the lobstermen who drive the boats. I've walked the rocky shore with my children. This history with the subject brings an intimacy of shared experiences." His paintings have been featured in solo exhibitions and group shows nationally, including the Kaiping Museum of Art in China, LA Natural History Museum, Annual Juried Show by the Guild of Boston Artists, Portsmouth Historical Society, Laguna Beach Plein Air Invitational, and the Maynard Dixon Camp Out by the Thunderbird Foundation. He is in the Farnsworth Museum, Rockland, Maine collection. Visit the website of the Page Gallery HERE. I painted with Colin and a group of painters in 2011.

6
Lobster Boat with Pink Buoys and Lobster Traps
Rachael Van Dyke (1972- ), American
Acrylic on paper, 11" x 14" (w x h), 2021
Sold
Source: The artist's website, edited
Rachael Van Dyke lives off the grid in the Blue Ridge mountains. She received her MAE at Kendall College of Art and Design, Grand Rapids, Michigan. Rachel has participated in over 20 art residency programs, including the Golden Apple Art Studio (Harrington, ME) website HERE, Keeneland Raceway (KY), United States National Park Service (Isle Royale), Mackinac Island State Historic Parks (MI), Virginia Center for the Creative Arts (VA), and others in France, Ireland, Italy and Spain. The artist's website is HERE. Her Maine Paintings are HERE.

7
She's Got Nice Lines
Philip Frey (1967- ), American
Oil on linen panel, 10" x 8", circa 2014-2015
$900, sold
Maine Art Hill Gallery, Kennebunk, ME

This is a small study for a later and  uncanny identical large version, Facets, oil on canvas, 48" x 36" (w x h), 2017, in the collection of the artist, and is the frontispiece of Philip Frey: Here and Now, Daniel Kay and Carl Little, Marshall Wilkes Fine Art Publishers, Ellsworth, ME, 2018.

Source: College of the Atlantic, Courthouse Gallery, edited
Philip Frey, born in Portland, Maine in 1967, studied at Columbus College of Art and Design and graduated with a Bachelor's of Fine Arts in Painting from Syracuse University in 1990. His early studies with artist Alan Bray were a major influence. Philip resides in a simple home and paints in a secluded studio in the woods of Sullivan, Maine. Having lived in Maine most of his life, Philip has a strong connection to the state. His work focuses on rural and urban landscapes, working fishing villages, interior spaces and figures. He paints plein air, using photographic references with his larger studio work. In 2016, the University of Maine Museum of Art mounted a solo exhibition of Frey's work. His work has been highlighted in several books, including Art of Acadia (2016) and Paintings of Portland (2018), both by brothers Carl Little and David Little, and in numerous publications, including: Art New England, Gettysburg Review, Maine Policy Review, and the Maine Sunday Telegram. His website is HERE.

8
Boat Wake
Stephen Pace (1918-2010), American
Oil on canvas, 36" x 28" (w x H), 1978
Brunk Auctions, Asheville, NC, 2022 sold $8,500 USD
Source: Stephen and Palmina Pace Foundation
Born in Missouri in 1918, Stephen Pace began formal art training at 17-years-old with WPA painter Robert Lahr. He continued honing his skills while serving as an Army artist in England and France during World War II, painting scenes of combat and local landscapes. Upon his return, he studied with Hans Hofmann, who had a tremendous and immediate impact on his work. During the 1950s Pace became an influential member of the Abstract Expressionist movement. In the mid-1960s, Pace returned to figurative painting in a style characterized by simplified forms, broad brushwork, and imaginative colors. He most often painted his immediate surroundings, finding inspiration in the coastline and fishing village of Stonington, Maine, where he and his wife, Palmina, owned a studio and home. Pace died in 2010. Visit the Stephen and Palmina Pace Foundation HERE.

Tuesday, September 16, 2025

Reclining in Orange

Reclining in Orange
painted September 12, 2025, 7" x 5" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$200

Orange Nude Female Essay

 Orange Nude Female Essay

1
Reclining Nude (on the left side) /
Nu couchu (sur le cote gauche)
Amedeo Modigliani (1884-1920), Italian
Oil on canvas, 58" x 35" (w x h), 1917
Sotheby's 2018 auction sold $157,159,000 USD
Source: Sotheby's notes, edited
In 1917 Modigliani's dealer offered him fifteen francs a day to paint a series of nudes. With this sum Modigliani created several of the most stunning paintings in the history of art, a new take on the nude for the Modern era. Modigliani's models were paid five francs to pose in an apartment just above his dealer's. This painting, Reclining Nude, is the masterpiece of that series. It's the largest painting Modigliani ever painted, and the only one of his horizontal nudes to contain the entire figure within the canvas. The sitter looks confidently back over her right shoulder, the slope of her profile echoing the negative space along the edges of her body. Of the 35 nudes painted at this time, two-thirds feature models reclining horizontally, the rest standing or sitting in a vertical format. The artist's fully nude horizontal poses are more successful than the upright figures. The upright bodies appear stiffer, and are often semi-draped, their facial demeanors less at ease. Modigliani's reputation has soared. Nine novels, a play, a documentary, and three feature films have been devoted to his life. His daughter Jeanne (1918-1984) wrote a biography of her father titled Modigliani: Man and Myth.

2
Untitled
Luchita Hurtado (1920-2020), Venezuelan/American
Oil on paper, 24" x 18" (w x h), 1971
Mohn Art Collective: Hammer, LACMA, MOCA, California
Source: The New York Review of Books, Books and Arts, Wiki, edited
Born in 1920 in Venezuela, Luchita Hurtado emigrated to the United States in 1928 and later travelled extensively in Mexico, before settling in Santa Monica, California, in 1951, where she has resided ever since. It wasn't until Luchita Hurtado was ninety-nine years old that she witnessed the opening of her first museum retrospective at the Los Angeles County Museum of Art featuring her paintings, drawings, and sketches spanning eighty years. She addressed the press, smiling, "This is one of the best moments of my life." Hurtado spent much of her life mingling with and befriending some of the twentieth century's best-known artists. She once attended a party in Frida Kahlo's hospital room. When she first met Marcel Duchamp, he gave Hurtado a foot massage. Jackson Pollock "scared the hell" out of her. But none of them knew Hurtado herself was an artist. "I always felt shy of it. I didn't feel comfortable with people looking at my work," adding that "there was a time when women really didn't show their work." She was influenced by Surrealism and Abstract Expressionism without fitting perfectly into either category, taking nature as the basis of her work, often depicting her body as an extension of these realms, as in this painting. Read more about this fascinating artist on Wiki HERE. See more of her art on her website HERE.

3
Diagonal Pose
John Sloan (1871-1951), American
Sanguine conte crayon on paper, 18" x 13" (w x h), circa 1916
Delaware Art Museum, Wilmington, DE
Source: Wiki, edited
John French Sloan (1871-1951) was an American painter and etcher. He is considered one of the founders of the Ashcan school of American art. He was also a member of the group known as The Eight. His students included Peggy Bacon, Alexander Calder, and Reginald Marsh. In 1939, he published a book of his teachings and aphorisms, Gist of Art, which remained in print for over sixty years. He is best known for his urban genre scenes and ability to capture the essence of neighborhood life in New York City, often observed through his Chelsea studio window. Sloan has been called the premier artist of the Ashcan School, and also a realist painter. Sloan's paintings are represented in almost all major American museums.

4
Standing Nude with Orange Drapery
Egon Schiele (1890-1918), Austrian
Watercolor, opaque watercolor, and graphite on paper,
12" x 18" (w x h), 1914
The Metropolitan Museum of Art, New York, NY
Source: Wiki, edited
Egon Schiele had among his admirers many Jewish art collectors whose collections were looted under the Nazis: in Germany from 1933, in Austria from the Anschluss of 1938, and in France from the German occupation of 1940. As a result, numerous restitution cases in the 21st century involve artworks by Schiele. The Leopold Museum, Vienna houses perhaps Schiele's most important and complete collection of work, featuring over 200 exhibits. The museum sold one of these, Houses with Colorful Laundry (Suburb II), for $40,100,000 at Sotheby's in 2011. Two lovers (Self Portrait with Wally), 1914/15, raised the world auction record for a work on paper by the artist to $10,700,000 USD. In 2013 Auctionata in Berlin sold a watercolor from 1916, Reclining Woman, at an online auction for $2,418,000 USD, a world record for the most expensive work of art ever sold at an online auction.

5
Nude
Clark Fay (1894-1955), American
Lithograph edition 4 of 25
Smithsonian American Art Museum, Washington, D.C.
Source: Various online, edited
Clark Fay (1894-1955) lived in Westport, Connecticut. He was an American lithographer and illustrator, a student of N.C. Wyeth and Harvey Dunn. Fay studied art in the United States but spent most of his career living and working in both France and England. As an illustrative artist he worked overseas for both the Saturday Evening Post and the Delineator. During the 1920's and 1930's, Fay exhibited his original lithographs in Paris with the Salon des Artistes Francais. The record price for his art at auction is $44,650 USD

6
Study of a Nude Female Figure
Rockwell Kent (American, 1882-1971)
Red crayon and wash on paper, 12" x 5" (w x h), circa 1926
Source: Wiki, edited
Rockwell Kent (1882-1971) was an American painter, printmaker, illustrator, writer, sailor, adventurer and voyager. Kent's early paintings of Mount Monadnock and New Hampshire were first shown at the Society of American Artists in New York in 1904. In 1905 Kent ventured to Monhegan Island, Maine, and found its rugged and primordial beauty a source of inspiration for the next five years, before moving on to the northern climes of the world. Kent found inspiration in the austerity and stark beauty of wilderness. His obituary was on the front page of the New York Times. Columbia University is the repository of Rockwell Kent's personal collection of 3,300 working drawings and sketches, most of which were unpublished. Read more about this amazing person's astonishing life on Wiki HERE.

7
Standing Nude
Georges Rouault (1871-1958), French
Oil and watercolor on cardboard, 28" x 39" (w x h), 1909
Detroit Institute of Arts, Detroit, MI
Source: Wiki, edited
Georges-Henri Rouault (1871-1958) was a French painter, draughtsman, and printmaker, his work often associated with Fauvism and Expressionism. In 1905 he exhibited his paintings at the Salon d'Automne with the other Fauvists. While Matisse represented the reflective and rationalized aspects of the group, Rouault embodied a more spontaneous and instinctive style. At the end of his life, he burned 300 of his pictures, estimated to be worth today about $81,000,000 USD. His reason for doing this was not profound. He simply felt he would not live to finish them. Rouault died in Paris in 1958 at 86-years-old.

8
Nude
Magnus Enckell (1870-1925), Finnish
Pastel, 19" x 24" (w x h), 1909
Finnish National Gallery Collection
Ateneum Art Museum, Helsinki, Finland
Source: Wiki, edited
Knut Magnus Enckell (1870-1925) was a Finnish symbolist painter. At first, he painted with a subdued palette, but from 1902 onwards, he used increasingly bright colors. He was a leading member of the Finnish colorist painters' group. This art of a nude female was unusual for Enckell since his nudes were mostly of males. It's thought he was homosexual. In Finland Enckell is considered to have been a most influential symbolist artist, his funeral a national event.

Monday, September 15, 2025

Windblown Autumn Imagined

Windblown Autumn Imagined
painted September 10, 2025, 7" x 5" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$200 

Sunday, September 14, 2025

Color Beyond Field Theory

Color Beyond Field Theory
painted September 10, 2025, 12" x 9" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$500

Saturday, September 13, 2025

Fall Up to Autumn - with Art Essay

Fall Up to Autumn

painted September 10, 2025, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, all selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$900
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Color and Line Art Essay

I discovered a fascinating contrast in how I panted Fall Up to Autumn and Helen Frankenthaler painted Sesame, both of us documenting our approach and execution.

How I painted Fall Up to Autumn:

I'd painted a similar loose foliage scene seven year ago. Now, I painted many sketches, looser and looser, discovering what worked and where I was going.

I began this final painting, while visualizing where I was going with this art, familiar with the many times I've observed the fall foliage in the back fields behind my home. I freely stroked free lines using my permanent ink Uniball pen, my skeleton to build on.

Using flat brushes for sharp edges, I panted light to dark, dashed on yellow for foliage. With it still wet I lightly dabbed bits of orange in it to give the yellow mass some depth. I let this dry, contemplating the next bright color. And I laid down some tan and yellow in the foreground. Once dry, I laid on orange, let it dry, and then red. For a darker foreground, to make the greens, I used two blues, I laid them down in the foreground over the yellows, waiting for each to dry. I lifted sections with the edge of my flat brush for depth. Finally, I'd planned for a dark center foreground and laid down layers of French Ultramarine Blue.

In Common and Not

I lay down my line first, her later. We both keep our colors direct and focused, using the same colors.

Sesame

Helen Frankenthaler (1928-2011), American
Acrylic on canvas, 6' 10" x 8' 10" / 83" x 106" (w x h), 1970
Private Collection

Helen Frankenthaler: a paintings retrospective

Modern Art Museum of Fort Worth, Texas
November 5, 1989 - January 7, 1990

Text Sources: Artsy, Helen Frankenthaler: A Paintings Retrospective, Wiki, edited
Regarding the fine lines in Sesame, "I was going to Morocco," says Frankenthaler, "and as an artist you think of the visits Matisse and Delacroix had made there. In art and decoration, I knew iconography was forbidden by religion. Linear or arabesque motifs were used to replace and rival imagery - on walls, reliefs, tiles, gates, railings - an ordered melange of patterns." The line in Sesame reasserts itself in a manner rarely seen in her art. In Sesame "I put in the colors first. Once the painting was dry and placed against the wall, I put in the lines with a felt-tip pen. I later went over the lines in paint using a fine brush." The picture went through a process of many additions and was "worked on both on the floor and the wall," she notes. "However, all paintings must be judged on the wall."

Sesame marked the start of new considerations that would inform much of Frankenthaler's painting over the next few years. She points to the four different compositional "placements" of the painting: its overall flatness, the play of the left side versus the right side, the interior of the white crossing passage, what she refers to as a "cable or crevice " and the drawn lines, about whose space making she observes, "I was very conscious of threading line through the cable/crevice."

The title Sesame carries a double reference: one is to the ocher color of sesame seeds, not unlike the way in which Tangerine refers to the orange of the fruit, while the other is to the magical command first given by Ali Baba, "Open, sesame," used here, as Frankenthaler states, "because the picture is open."

This 1990 exhibit organized by E.A. Carmean, Jr., Director, the Modern Art Museum, Fort Worth, Texas, first opened at the MOMA in New York, traveled to the Modern Art Museum of Fort Worth in Texas, then to the Los Angeles County Museum of Art, and finally the Detroit Institute of Arts. It featured forty of her most important canvases and was her first painting retrospective since 1969.

Helen Frankenthaler:
a paintings retrospective

E.A. Carmean, Jr., 1989, Abrams, New York
In association with the Modern Art Museum of Fort Worth

Helen Frankenthaler working on
an abstract expressionist painting
in her New York City studio circa 1957-1960,
photo by Burt Glinn

Helen Frankenthaler (1928-2011), born in Manhattan, was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. She exhibited her art from the early 1950s until 2011, over six decades spanning several generations of abstract painters, while continuing to paint vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition that came to be known as color field. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and has been exhibited worldwide since the 1950s.

Helen Frankenthaler working on
an another abstract expressionist painting
in her New York City studio, circa 1957-1960,
photo by Burt Glinn

In 2001, 
Helen Frankenthaler was awarded the National Medal of Arts. In addition to her paintings, Frankenthaler also made ceramics and steel sculptures and maintained an extensive printmaking practice. Her highest price painting sold is for Royal Fireworks, $7,895,300 USD at Sotheby's in 2020. Sotheby's has sold 16 more of her paintings from $1,000,000 USD to $5,894,100 USD. See Royal Fireworks on Sotheby's HERE.

Tuesday, September 9, 2025

Marginal Morning

Marginal Morning
painted plein air along Marginal Way at the Ogunquit (Maine) Plein Air event, September 6, 2025, 14" x 11" (w x h), using Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, Uniball waterproof fade proof ink, and wax resist on 140 lbs. Fabriano Artistico cold press rough 100% cotton extra white watercolor paper, framed.
$900

The Plein Air Set Up
Marginal Way, Ogunquit, Maine Sept 6, 2025
Ogunquit Perkins Cove Plein Air Painting Event

The Plein Air Painter

Plein Air Painters
Debbie Mueller, Sara Gray and Bruce McMillan

See photos of the event HERE

Orange Blue Yellow -Essay

Orange Blue Yellow - Visual Art Essay

1
Blue Sun
Alexander Calder (1898-1976), American
Lithograph printed in color ink on wove paper,
18" x 23" (w x h), 1971
Detroit Institute of Arts, Detroit, MI
Source: Wiki, edited
Calder preferred not to analyze his work, saying, "Theories may be all very well for the artist himself, but they shouldn't be broadcast to other people." His father, Alexander Stirling Calder, and grandfather, Alexander Milne Calder, were also sculptors. In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals. As Calder's professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings were marketed, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available.

2
Radiance at Dusk
Curt Butler (1973- ), American
Oil on canvas, 40" x 30"
Sold, Charleston Art Gallery, Charleston, SC
Source: Various online sites
Curt Butler (1973- ), an American contemporary artist residing near Charlotte, NC, art depicts low country scenery and wildlife. He received his B.A. from Kent State University and his M.F.A. from Savannah College of Art and Design. In 2004, Gaston Day School awarded him the title of Teacher of the Year, showcasing his dedication and talent as an educator. His art is in the collections of the Dallas Art Museum, Daniel Stowe Botanical Gardens, Gaston Day Gallery, and Duke University Cancer Center. His art is sold at the LePrince Fine Art Gallery, Charleston, SC.

3
Women Gather Sugarcane
America Martin (1980- ), American
Oil and acrylic on canvas, 60" x 48" (w x h), 2015
The artist's website HERE.
Ludwig's by the Mills, a painting by America Martin
hanging at The Alna Store, Alna, Maine is featured in
the July 2025 Conde Nast Traveler issue HERE.
The Alna Store is HERE.
Source: Wiki, edited
America Martin (1980- ) is an American painter, sculptor, whose primary subject is the human form. She credits her Colombian roots for her aesthetic and tastes. Her uncle is painter Knox Martin; her father is artist and author Ernest J. T. Martin; her mother is an academic. As a child/teen she had an eight-year apprenticeship with Vernon Wilson, a professor at the ArtCenter College of Design in Pasadena. Martin also worked briefly as an actress, notably as Patsy in Disney's The Rocketeer, while attending Crossroads School for the Arts and Sciences in Santa Monica, California. In 2009, she received a residency at the Walter Anderson Museum of At, with a grant from the Mississippi Arts Commission.

4
Orange and Blue over Yellow
Ellsworth Kelly (1923-2015), American
Lithograph on paper, 24" x 17" (w x h), 1964-1965
Smithsonian American Art Museum,
Washington DC, Gift of the artist
Source: Wiki, edited
In 2019 The United States Postal Service issued a set of stamps honoring Kelly's artwork pioneering of a "distinctive style of abstraction based on real elements reduced to their essential forms." Ten works are represented, including Yellow White, Colors for a Large Wall, Blue Red Rocker, Spectrum I, South Ferry, Blue Green, Orange Red Relief (for Delphine Seyrig), Meschers, Red Blue and Gaza. Previously, in 2007 Ellsworth Kelly's 13-part painting Spectrum VI (1969), which sold for $5.2 million at Sotheby's New York. In 2014 Kelly's painting Red Curve (1982) sold at auction for $4.5 million at Christie's New York. In Nov 2019, Christie's set an auction record for Ellsworth Kelly with the work Red Curve VII, which sold for a $9.8 million.

5
In the Bay
Christina Thwaites (1980- ) British
Oil on canvas, 56" x 34" (w x h)
$4,900, Carver Hill Gallery, Camden, Maine, HERE
Source: Carver Hill Gallery, Camden, Maine, edited
Christina Thwaites grew up in Derbyshire, in rural England. She studied History of Art and French literature at the University of Edinburgh in Scotland and at the Ecole du Louvre in Paris. After her MA, she attended LaPortaBlu Art school in Rome to focus on painting. In Italy she ran an international art residency program near Rome. In Palestine she ran workshops in a refugee camp. She lived in a communal artist house in Amsterdam and in a remote village in Indonesia. In Canberra, Australia she worked with Australian National Capital Artists while continuing to exhibit in Europe with solo shows in London and Rome. Thwaites has exhibited in Australia's Canberra Contemporary Art Space, Rome's Palazzo delle Esposizioni and the Museum of Contemporary Art in Rome. She currently exhibits with galleries in Italy and the US and works from her home in Trieste, Italy where she lives with her husband and two children.

6
Summer of Apollo in Provincetown, Mass
Helen Frankenthaler (1928-2011), American
Oil on canvas, 14" x 18" (w x h), 1969
Asheville Art Museum, Asheville, NC
Source: Parrish Art Museum, Abstract Climates comments, edited
An influential abstract expressionist and a pioneer in the Color Field movement, Helen Frankenthaler spent several summers painting in Provincetown, Massachusetts. She first came in 1950 to the seaside town with a long history as an artist colony to study at Hans Hofmann's studio school and would return for more than a decade while married to the artist Robert Motherwell. Drawing inspiration from the natural scenery of Provincetown, she created paintings that go beyond the idea of landscape to capture the atmosphere and climate of this New England locale, whose works never fit neatly within any category of abstraction. In 2020 Sotheby's sold Royal Fireworks, a large 13' x 5' (w x h), for $7,895,300 USD, her maximum sold price. Christie's alone has sold 25 Helen Frankenthaler original paintings from $1,027,500 to $4,527,000 USD

7
Untitled
Sam Francis (1923-1994), American
Oil on canvas, 40" x 68" (w x h), circa 1956-58
Private Collection, New York
Source: Wiki edited
Because he worked and exhibited in the United States, Europe and Asia, Sam Francis is credited with helping secure international recognition for postwar American painting. His work has been seen most often and best understood in Europe and Japan. In 1991, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1994. In 2010, a 1957 Francis painting titled Middle Blue was sold at auction for $6,354,500, a record for his art. In 2013, Symphony in Blue, a 1958 watercolor and gouache on paper, set the record for a Francis work on paper, selling at Sotheby's for $1,145,000. In 2016, Summer #1, a 1957 Francis oil on canvas, sold for $11,842,000, a new world record for the artist. In 2022, Composition in Black and Blue, a 1955 Francis oil on canvas, sold for $13,557,500 at the Paul Allen sale at Christies, New York.

8
Seascape from the "Birkdale"
John Everett (1876-1949), British
Oil on paper, 14" x 10" (w x h),
National Maritime Museum, Greenwich, London
Source: National Maritime Museum, Greenwich, London, edited
A seascape of a horizon from the merchant sailing ship Birkdale (1890s-1920s) that carried minerals. Through color and form Everett's painting concentrates on the visual effects of cloud shown as smudges of vivid color. Everett joined the barque, Birkdale, and sailed from Bristol to Sabine Pass, Texas, April to June 1920. It was his first journey after WWI. The Birkdale was due to take sulfur from Texas to the Cape, but when she arrived in Texas the ship was re-chartered to Australia. Everett, reluctantly, left her and came home by steamer. The Birkdale, built in 1892, was the last barque to fly the red ensign and spent nearly all her working life in the Chilean nitrate trade until the ship was wrecked on the Chilean coast after catching fire in 1927. 
In 2017 it was found that there are more paintings by John Everett in UK public art collections than any other artist.