Saturday, November 30, 2019

One, Two, Three, Leaves, Studies

One, Two, Three,
Leaves, Study 4
of the back fields and woods behind my home
on November 1, 2019, painted November 29, 2019
10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness
and permanence on 140 lb. Arches cold press
grand fine 100% cotton watercolor paper
framed, $300

The Preliminary Studies
 
One, Two, Three, Leaves, Study 1
of the back fields and woods behind my home
on November 1, 2019, painted November 27, 2019
10" x 11" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light
fastness and permanence, and #3 graphite on
144 lb. Fabriano Artistico cold press rough
100% cotton extra white watercolor paper, NFS
 
One, Two, Three, Leaves, Study 2
of the back fields and woods behind my home
on November 1, 2019, painted November 28, 2019
10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink on
on 140 lb. Arches cold press grand fine 100% cotton
watercolor paper framed, NFS


One, Two, Three, Leaves, Study 3
of the back fields and woods behind my home
on November 1, 2019, painted November 28, 2019
10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness
and permanence on 140 lb. Arches cold press
rough 100% cotton watercolor paper, NFS

One, Two, Three, Leaves, Study 4
of the back fields and woods behind my home
on November 1, 2019, painted November 29, 2019
10" x 8" (w x h), Daniel Smith, Schmincke Horadam, and
Winsor & Newton watercolors, selected for light fastness
and permanence on 140 lb. Arches cold press
grand fine 100% cotton watercolor paper
framed, $300

Saturday, November 16, 2019

Leaves Last Leave

Leaves Last Leave
in the back fields behind my home
on November 1, 2019, painted November 12 and 15, 2019
14" x 11" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light
fastness and permanence, and #3 graphite on
144 lbs. Fabriano Artistico cold press rough
100% cotton extra white
watercolor paper
framed, $150

Wednesday, November 13, 2019

Light Standing Presence

Light Standing Presence
at our Kennebunk Art Group with model Rachel
painted November 8, 2019
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink on
140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Sunday, November 10, 2019

A Hold on Blue

A Hold on Blue
at our Kennebunk Art Group with model Rachel
painted November 8, 2019
7" x 5" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and #3 graphite on 140 lb.
Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Thursday, November 7, 2019

As She Stands

As She Stands
Olivia painted at our last
Kennebunkport Art Group October 4, 2019
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for
light fastness and permanence, and #3 pencil on
140 lb. Fabriano Artistico cold press rough
100% cotton extra white watercolor paper
framed, $150

Monday, November 4, 2019

Thoughtful Pause

Thoughtful Pause
painted at our Kennebunk Art Group October 4, 2019
5" x 7" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink on
140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $150

Sunday, November 3, 2019

Relaxing in Color

Relaxing in Color
The model relaxing while standing out at our Kennebunkport Drawing Group painted October 25, 2019, 7" x 5" (w x h), Daniel Smith, Schmincke Horadam, and Winsor & Newton watercolors, selected for light fastness and permanence, and Uniball waterproof fade proof ink on 140 lb. Fabriano Artistico cold press fine 100% cotton extra white watercolor paper, framed.
$150

Saturday, November 2, 2019

Two Tugs, No Tugging

Two Tugs, No Tugging
at the Philadelphia, Pennsylvania boatyard docks
painted from the dry dock near Urban Outfitters
painted plein air on October 18, 2019
10" x 8" (w x h), Daniel Smith, Schmincke Horadam,
and Winsor & Newton watercolors, selected for light fastness
and permanence, and Uniball waterproof fade proof ink on
140 lb. Fabriano Artistico cold press rough 100%
cotton extra white watercolor paper
framed, $300


Our Maine Gang of Five in PA
at the Brandywine Plein
Air Festival 2019
On our Free Friday Carol (foreground),
Bobbi (middle distance),
Ed (background), and I painted
at the Philadelphia, Pennsylvania
boatyard by the mothballed U.S.S.
John Fitzgerald Kennedy aircraft carrier,
while Sara visited family.

Carol Douglas' website HERE and blog HERE
Bobbi Heath's website HERE
Ed Buonvecchio's web site HERE
Sara Gray's website HERE

 Some photos of us during the week
taken by the Plein Air Brandywine
Festival 2019 photographers:


Sara Gray painting


Ed Buonvecchio painting


Bobbi Heath turning in her daily art


Ed Buonvecchio, (me) Bruce McMillan,
and Carol Douglas during the cool
windy Nocturne


I'm having a pleasant chat during
opening night, over 700 new paintings,
Sara Gray on the right.